Poetry
Magnolia Street
Tiny one bedroom flat
space heater-warmed
with a phone booth closet
that could store meat -
a kitchen with southern
view of tattooed
John and Rose’s porch
from where he’d flick
his Camel butts
into the seven clumps
of withered grass
trying to be a yard
sans noticeable success.
Residents from the
local sheltered home
with a labored walk
shuffling to work
carrying a Thorazine high -
off to bag incense
eight hours a day
without complaint -
but needing to stop
at the corner store
for their morning
sugar fix of candy and coke
just to feel alive.
Seven years of fun and games
with a revolving door
of friends and lovers –
teaching reluctant
urban teens by day
who taught me
all about the blues
I sought out each night
up and down
Lincoln Avenue bars
where legends
like Dixon, Wolf, and Waters
laid down the timeless licks
that everyone listening knew –
then drank too much
as the nights wore on -
just like the rest of us.
Incoming Tide
Far flung waves
faintly calling from
my garden's end.
Each cycle of the moon
they grow braver
in their greeting.
Fences fall.
The
crashing
of
the
waves
rises.
Awoken
from sleep
as it wraps on my window.
Bricks falling
into its foaming mouth.
Not Even a Wrist of Flesh and Bone
The girl got him a bracelet
for his right arm, already holding
twelve bangles of silver and of gold.
He never wore it, said, instead,
each circle had to come to him
by chance:
the Middle Eastern deli counter man
who’d given him the middle one,
the New York psychic—grabbed his arm
and told him to beware.
They couldn’t just be gifts, what with
their implications of enclosure, continuation.
And so, the brass loop was stashed in his backpack,
the same one he would drop first on her floor.
She never saw what else might be inside
but wondered if, like the circle,
known by many as a magical space,
it held nothing in its center
but air.
Mountains, Molehills
A pile of dirt dressed up in a mountain’s clothing
A working man’s pile of rocks
but a ball and chain for the drowning man
a bucket of cement spilled across flowering dirt
but the girl is known for crying wolf
so a mountain has become a molehill
while the dogs come at the blow of whistle
tearing and biting at scraps of meat
slavering mouths that consume
the yellow pages of journalist notes
as a foremen brings the hammer down
the coal burns hotter than any other fuel
but oil is expensive these days
worth more than the average dollar
now that’s a molehill mountain
dressed in expensive leather for the fire
a working man’s pile of coal
the color of lungs is worth
the switch from red to black
more money for the non-worker
whose check balances with zeros lined in gold
this mountains nothing more than a molehill
pick yourself up by your bootstraps
How Fries Will Change You
I’m calling for fries
over the counter full
of fried food and grease
while the chefs ignore me.
Someone taps me twice
on the shoulder as tears salt
my lips. “What?” I snap,
searching for a coworker’s face.
The old woman from my table
takes a step back. “Excuse me?”
she says, her wrinkles contorting.
“I’m so sorry, ma’am, I thought
you were my coworker” I try
to explain. “The women’s restroom
is out of toilet paper.” She walks
off to clear her plate. I let one more
drop roll down my cheek as I say
goodbye to any chance at a tip
and turn back to face the head chef.
“How hard is it to give me some damn
fries?” I continue yelling. When I clock
out that night I write in my diary.
I can’t remember one detail of my night
that doesn’t erase me.
Grimm’s
The ticket stabber is over-
flowing on hour ten of my shift.
“¡Vamos pendeja, vamos!” Miguel
yells over the counter. I flip off
the food heater and stick three
ice cubes down my bra, then stack
table 34’s plates on my left arm.
“Lex, I need a follow” she runs
over and grabs the last basket of
chili cheese tots. An hour later,
the counter is empty and wiped
clean of grease. I restock sauces in
the walk-in and sit down for the first
time today. I clock out at 10:45, say
my rounds of “Goodnight” to the last
standing servers. Pepper spray clutch
in hand, I fumble for my keys in the dim
parking lot. The silence in the passenger
seat is my favorite part of a double-day.
I pull into the gravel driveway, frowning
at the orange-lit room next to mine.
I knock twice on the purple door so
my baby sister knows it’s just me.
“Can you read me a bedtime story?”