Author: Christ Keivom

Christ Keivom is an Indian poet currently studying as an undergraduate literature student at Delhi University. His work has been previously published on Pangolin Review, Eve Poetry Magazine, and All Ears Literary Magazine.

Youth and By Ourselves

Consider this and that

It wasn’t meant to be

The thing that is going to

Kill me is already on the inside.

There’s this small grandfather clock

Inside us all-

There are minutes of death.

Just the touch. Just this brief.

Where love slips away with the fare

But who’d ask for it back?

There was a time

I knew you though-

Hands, face, pendulum

And when we finally caught up with history

We were no less crueler than our parents.

Yet we were relentless, forgiving, unconditional

We were direction…in blue…on a road sign

Found everywhere…then suddenly…all at once…

Father. He misses mother and she’s been dead

For 24 years

I haven’t missed you that much and you are

so gone

Then I stepped away from the poem

Mid stanza…

We must have been sexton’s sad pencils to say

Those things back then.

But there are rooms for us now and anniversaries to

Commemorate,

In the perfect city someone has left everything

Including themselves. You. You should

Make sure you date and pen down

All the soft things that we said.

Because everyone will ask when it was,

How it happened- say something about it.

How the night rain spilled all over.

Our lives. Our soft soft and honest lives.

Movement

There are no orchids here, and no long shore

teeming with raucous life, no salted wings

rising above the multicolored boats,

no overwhelming breezes, and no tides

rising, impelling everything that floats

to shore or seaward where no warbler sings,

and no palm trees, waving their endless fronds.


Instead there’s only heat: the algaed ponds

cannot reflect the sky or even trees,

birches grown bare above them, whose bare limbs

are falling constantly to riversides,

and floating downstream where a viper swims

in wait, for me or you, and all of these

impressions have combined to replicate


the feeling of an ever closing gate.

I want to leap it, get away, become

something completely other, changed somehow

just by the landscape, as my life divides

between the endless blossom and the bough,

walking in rhythm to a restless drum

to Panama, Maldive, or Singapore.

Reverdie

It snowed today: at last, I understood

they were not joking when they said mid-May

would still be ice. My tender waterplants

brought up with loss of blood from Tennessee

unrooted, drape the new pond’s depth, and fish

seek what they can beneath the drowning leaves.


And so in Houston: in that summer, I

could not anticipate November frost

and planted tropicals around the ponds.

There’s sadness in a burning leaf, when ice

has broken down cell walls, and loss reveals

deficiencies of structure and design


hidden before by blossoms. I should know

to listen to the voices of a place,

to listen to her voice. But I go on:

tomorrow, miscanthus will line the edge

and give a place to rest, until what sun

this slope can promise quickens my new blood.

Not So Poor as Them

             “A long time ago, in a little mill town on a mountain side,” my mother began, “your grandparents and their five children survived many years awash in the muted pigments of poor. Everything they owned was indelibly stained with a relentless poor that blurred your grandmother’s vision and left a bitter taste in her mouth.”

             “They were much poorer than us,” my mother insisted, lest I think this was a cautionary tale. “Poor as black dirt, or red Georgia clay, or scorched earth on that North Carolina mountainside.”

             My mother leaned in to whisper these dark secrets, despite our living all alone. Even as a child, I knew that poor colored everything it touched in dreadful shades of contempt and could leak out of buckets as slowly as spoilt molasses, swallowing up whatever was in its path like unbaked gingerbread with a craving for flesh: “Nibble, nibble, little mouse, who is nibbling at my house?”

             “All those years ago,” my mother continued, “your grandmother became exasperated with her half-empty glass of poor and your grandfather’s perpetually empty aluminum cans of cheap beer. She held up her glass and looked through the putrid contents at the bed she had made but tired of lying in. Your grandmother laid out a trail of moldy breadcrumbs and accused her husband of beastly behavior.”

             My mother recited in barely audible tones, causing me to lean in uncomfortably as I perched precariously on the arm of a too small chair. Her breath had been hot on my face, reeking of onion and mayonnaise sandwiches. It was the smell I knew as poor, but not so poor as them.

             “Your grandfather was locked up in a prison cage. The family then had to survive on the dregs of welfare, whose poor offerings were never enough to last the whole month so that your grandmother found no relief from poor despite her escape from a shabby marriage. She longed to be free from the little piece of bottom land where they sweltered in the summer sun and froze in the cold air of winter. She was tired of breadcrumbs.”

             “As the September sun was bearing down,” my mother said, “on the small, muddy creek of bullfrogs, the children stood on the porch of the tiny house and waved as their mother left to buy groceries. And while poor was a happy enough color to mix with muddied creeks and splash into children’s half-full glasses, poor made the woman’s half-empty glass ugly and bitter.” She sped away from the ache of poor in a cloud of dust and never looked back.

             Her abandoned children survived two weeks alone by luring a neighbor’s chicken into their yard. Chickens were not easy to catch, especially not after they’d been beheaded on the old stump. “The headless chicken leapt up in a dead sprint and left a bloody trail across the dirt yard and under the cinder-blocked house where it hid. Your father had to drag it out and hang it upside-down from the clothesline to finish dying,” my mother covered me in emphatic spittle as her tale progressed. I felt queasy from the moldy breadcrumbs, raw onion, and headless chicken.

             “They were much poorer than us,” my mother repeated quietly. It certainly seemed like a cautionary tale; we had survived many years awash in the muted pigments of poor with stolen corn, gifted onions, and wild blackberries to supplement the welfare bread. But I was not sent off into the woods to forage cake from other’s roofs all alone. My mother went too because we were not so poor as them.

The Doppler Effect

we drown in the grey austro-hungarian rain,

thunderclaps arriving at the hauptmarkt two,

no three seconds after the lightning, you and i


soaked to bone and marrow and i still fail to

grasp why you would choose salzburg of

all places to decide to tell me your truth. here,


on wet, broken cobblestones where you didn’t

catch-stop my fall, my knee bloodied in front of

mozart’s house, near the shops where they sell


tortes and von trapp kitsch; your voice silent, my

brain shrill with resentment and utter indifference

to the baroque churches, the street music, sales on


lederhosen, costumed actors in tricorns hawking

opera. you make us stop at makartplatz number 9

to pay homage to doppler, the physicist who


makes receding stars burn red, and

sirens and voices fade in-out. you respect him. you always

prefer complete strangers. you laugh in the rain


and for the split second difference between sound

and light i watch you and recall joy. you decide to

play a game, you will run past doppler’s house —


some shallow homage to his wave theory, i infer,

to capture in selfie his connection between sound

and motion. you don’t ask me. you run towards


the river, i walk in the opposite direction, limping,

towards the fortress on the hill. you call out to me

but i cannot understand you from the distortion.

The Last Poem I Ever Wrote

I think my Zoloft stopped working.

Pen in hand. Words in head.

But blank canvas – blank canvases


Maybe my Zoloft stopped working…

Or we’ve had 12-too-many rainy days

And the canvases haven’t held paint since May

              Or April

                            Or March


Yes, I’m certain that my Zoloft stopped working.

But I zip the sides of my skull open

And drop 100 milligrams in, like a child swallowing candy.

They dissolve in stomach acid

And happy chemicals float to my brain

              where there are

                            only blank canvases.

NOVUS Literary and Arts Journal
Lebanon, TN