Author: Sandee Gertz

Ancient of Days

Suddenly the leaves change, and I am ancient and a child

all at once, grasping their fiery, brittle bodies

between my fingers too tightly until they crumble.

Everything that ever has been or ever will be

laid to waste in my hands.

Do you remember last October

(or any October, all of them),

when we sat underneath a full moon and you

(or anyone—you could have been anyone)

told me it would be like this forever?

Like a child, I believed you. Like an old saint,

I knew I would love you even if you were lying.

And so I chose to believe you, like a child.

Everything that has been or ever will be

sits incarnate on the brim of the chill of the air,

so fragile, so impenetrable—a phantom,

and yet it hangs there, eternal.

I will spend all my Octobers believing you.

An Elegy to Waterproof Mascara

Don’t cry, they tell us.

But if you must, 

be sure to look pretty doing it.

Emotional discretion now comes in a tube

so you can paint on indestructibly perfect coats,

little gatekeepers to lock away the evidence that you cried. 

And should you let it out, 

you risk confining yourself to the caricature of the Crying Girl,

(Streaky-faced, probably sitting in a bathtub somewhere).

Because as everyone knows, there is a fine line between 

Sentimental 

and

Emotional wreck. 

But moderation was never my strong suit. 

I am a floodgate and never a trickle:

a saltwater plumbing problem to be solved. 

In airports,

during movies.

And, God forbid, even funerals – 

“Don’t cry so much,” 

says my grandmother’s oldest friend, half kindly, half fiercely,

pulling me to her chest to muffle the sound of my grief.

Because pain should only ever leak from us, not pour.

Because an open wound cannot possibly be worn with dignity.

Is it any coincidence that the words “hysterical” and “hysterectomy”

have the same Greek root? 

For every woman who wears her heart on her sleeve, 

there is someone handing her waterproof mascara. 

I think about those ladies in the ancient world, 

how they used to weep for hours on end,

 and I wonder why we ever stopped. 

Who caged those oceans inside us, decided

they were not our stories to tell? 

So today, I am twisting the lid back on the tube, 

nailing it shut and lowering it into the ground, 

I am pulling the cork off my bottled up tears 

and using them to water the roses I will lay

on the grave of every heartache I have ever buried:

Every raw emotion I have ever apologized for. 

Dumpster Balloons


As I opened the dumpster
to empty the week’s trash, birthday balloons rose
to greet me, as if bonded to the lid,
charged with anticipation.
I scrambled to shut them down
yet they kept rising, obedient to unseen forces
brazen they squirmed toward
the black open air.
How vast the continuum of emotions
permissible each moment on earth.
A Ukrainian couple proclaims their vowels
while dressed in army fatigues,
flower petals decend upon the same ground
pierced each night with metal-cased shells.
Shirtless boys giggle while dribbling a ball
across the dusty floor of refugee camps.
A celebration for being alive,
a witness to one more orbit,
even with the hurt, the bitterness,
the weight we carry.

Contingent Faculties

Midmorning abeam, abuzz, aubade about

walking our old block, applauding the view

that Yonkers is fair facsimile of my twenties. I can’t.

I can’t unthink pariah dogs queuing on rain’s garnet,

canines bared like tracer bullets at the street – nothing new

about collaborating with synecdoche of oneself.

The past. I could touch it                    almost, open

the day like a devotional book, work its clasp like

a dog’s flews and stare down its gullet, gasp

into living dark. Wycliffe called it

vtmer derknessis in St. Matthew’s account

of the healing at Capernaum (the desperate centurion

with his palsied son), translating Christ’s address as                                    Parable of the Weeds

ther schal be wepyng and gryntyng of teeth.                                       

My mind works through this forecast of tears

and how it was ten years before I first came to New York 

that I last took the bus from Echo Industrial Park,

believing it possible, then, to be reborn as morning

is, shedding night’s clothes at the close of shift.

Now I dog the blunting of an uncertain future

at midcareer. Health to the new bosses, sure.

As Christ sat at meat in Matthew’s house,

loud as a beaten dog, perhaps my namesake knew

the thousand ways to be shameless in a small town.

Perhaps knew that for small men, leaving leaves

nothing to choose between living & the life.

NOVUS Literary and
Arts Journal
Lebanon, TN