To write poetry is to keep watch
over your dwelling in a dark forest:
It isn’t often that some creature
catches your eye — most nights pass
without as much as a rustling in the trees.
But when it does, it grabs you, wrestles
you to the ground, and demands something of you.
Sometimes a few pennies, sometimes a warm meal,
and sometimes, it seems, your very life.
Sometimes it is the angel, holding you
by the hip, tenderly but with a strong grip,
and it is your great privilege to hold it tightly
and whisper sharply between your teeth,
I will not let go until you bless me.
And only when this scrappy bandit
of a creature is speaking the words over you
as you hold a knife to its throat
do you realize, as the morning sun
is finding its way through the trees, that you are staring yourself in the face.
Snowfall’s white descent is piling up, uninterrupted,
in layers of soft milk-chalk, as if this is its burdensome
intent, to lay rule over a silenced city.
Snowflake: not the modern fragile sense, but as perfect
crystallization, the sum of every shade of color,
each one as wholly unique.
Children on the PS 118 playground know this,
know that snow is an invitation, a communal call
that bestows no rules.
A snowman gets built, rolled through dirt and debris,
patted down with wet and snot-smeared mittens.
His dirty, rock-coal eyes wink to their delight;
a smile of stones follows. A child pulls a button
from her thrift-store coat, offering what she can
to make things whole.
there are some places that invite you to pour
yourself into them all sharp rock
and sand and cactus needles glittered
with drops of nectar where horses
are lean and wild and roam the way
they’re meant to whinnying blends
with wind and there’s a toughness
to everything the air tastes like
determination behind the hard
is sweetness the soft flesh of fruit
under a rind mica shining
in the black scales the lizard
sheds after basking at noon
the heat is a second-skin the sweat
turns to clay smeared by fingers
shaped by calluses the desert remembers
that you are 60% water and it will
suck every last drop
dry.
She jogs the empty corner of the shopping center lot,
where barberries catch the dead leaves.
The wind fills her Buzz Lightyear coat,
thrashing and dingy at the elbow.
The bus hulks against the wind.
She stops and eyebrows my truck
when I wave her across. She grins like the boy
in the shopping cart I saw an hour ago,
in his own Buzz shirt, grin full of stars
at the galaxy he was discovering,
the world slow as understanding. The woman in the lot
already knows what it means to miss
the bus, to be late, to dare to run in front of a car
when you cannot see the driver, your hair a tangle
in a wind that, outside of any car, only you can feel.
The three-finger wave I give is barely visible
above the steering wheel, a hand
of threat and grace, which she won’t know
without that first step. She jogs the crosswalk, the bus
heaves and hisses, its windows reflecting her arms
and shoulders, her face watching the ground,
where the wind shoves leaves in every direction.
My mom reconstructed our lives from junk.
Unbleached cardboard Orisha beaded masks,
Glass-shard mosaics of proud Mary’s face,
A twisted crown of bottle caps and barbed wire,
Found relics, littered our tar-paper house,
Each objet d’art, a fetish, meant to stave
The shame of being poor. We ate, each night,
On painted plates of resurrecting suns.
She formed so much what others tossed away.
Now I scrounge through virtu and bric-a-brac,
The scattered trifles of remembrances,
To find her, traceless, gone. My soul sets bare.
Unfit to curate memory, I house
No rags, no cracked cups, no heart, fit for pawn.
The re-racked tops, bottoms, frocks beggared us.
Remember, bodies, once, possessed this cloth,
My mom reminisced. When we took the bus
Past bodegas, the hot-press mill, the swath
of storefront churches, tarpapered shotguns,
A land of corrupting rust, engorged moth,
To purchase, for the next fall, clothes the nuns
Found fitting, we, too, made out like a thief
At night. She dressed me like the rich man’s sons,
And gave herself, yet attained no relief,
Cried out, “Come, Jesus!,” where, then, was the Lord?
Without memory, one can have no grief.
Now, she is dead. My loss, my pain, I hoard
Indulgence even beggars can afford.