The mug of racing time blinks its eyes as you enter. Words seem molecular in your voice, a natural gift, cool as someone else’s rain in someone else’s city. The brasserie’s yellow light jaundices your eye without dulling the furtive look you rehearsed for decades. It shines through the thinnest of learned accents.
Would you be hurt if we mistook you for an era, rather than a man whose son is splitting the ungrateful atoms of his separate parents? He takes a puzzled horn to his lips and explodes it just as you would. The brass rings a true nocturne as he nods. Your metronome heart beats in arrhythmic counterpoint.
Together you two travel across states of history and heritage. The unspoken details cling, and weaken your bond. You wash them away in the English Channel and emerge renewed as a vow between lovers. Both of you are breakers, crawling ashore together, each filled with the electricity of future life.
David Zaza lives in New York where he runs a design studio specializing in arts publications. His poetry has been published in print and digital magazines since 1992, including The Quarterly, Medusa’s Laugh and The Perch among others. Recent multidisciplinary projects include The Goldberg Variations, an audio project which presents his recited poetry with piano accompaniment; Before and After, or At The Same Time, a series of one poem and three illustrative fine art drawings; and [unreliable], a poetry/drawing collaboration with visual artist Mark Fox. With Fox, he created two puppet plays: A Criminal’s Story, produced by Saw Theater, Cincinnati; and The Kiss, produced by Franklin Furnace, New York.