Midmorning abeam, abuzz, aubade about walking our old block, applauding the view that Yonkers is fair facsimile of my twenties. I can’t. I can’t unthink pariah dogs queuing on rain’s garnet, canines bared like tracer bullets at the street – nothing new about collaborating with synecdoche of oneself. The past. I could touch it almost, open the day like a devotional book, work its clasp like a dog’s flews and stare down its gullet, gasp into living dark. Wycliffe called it vtmer derknessis in St. Matthew’s account of the healing at Capernaum (the desperate centurion with his palsied son), translating Christ’s address as Parable of the Weeds. Ther schal be wepying and gryntyng of teeth. My mind works through this forecast of tears and how it was ten years before I first came to New York that I last took the bus from Echo Industrial Park, believing it possible, then, to be reborn as morning is, shedding night’s clothes at the close of shift. Now I dog the blunting of an uncertain future at midcareer. Health to the new bosses, sure. As Christ sat at meat in Matthew’s house, loud as a beaten dog, perhaps my namesake knew the thousand ways to be shameless in a small town. Perhaps knew that for small men, leaving leaves nothing to choose between living & the life.
Matthew Carey Salyer is the author of a chapbook, Lambkin, and two collections, Ravage & Snare (2019) and Probation (forthcoming). His worked appears in journals such as Narrative, The Scores, Poetry Northwest, Southword, Beloit, The Common, Hunger Mountain, and others. He has twice been a finalist for the Iowa Review Prize in Poetry, a semifinalist for the Brittingham and Pollak Prizes in Poetry, and the Pushcart Prize. He works as an associate professor of literature at West Point and a bouncer in the Bronx.