When the next-door neighbor Molotov cocktailed our house just after a midnight in June, all four of us were asleep, we who’d moved back home to the Pacific Northwest after two decades of lake effect snow, thanks to those bodies of water known as the greats. Their delivery, similar to his, dropped a cold so quick we’d often wake like we did when the firemen lumbered through our house that hot night. Sometimes, the Michigan snow kept closed all that could open. Sometimes, our next-door neighbor stood out in the rain, his neck craning at the possibility of drones above. Snow can fool you, if you look at it long enough. Everywhere starts to look like it’s down. If you don’t have an opening, thoughts can take you there, too. At the trial, our next-door neighbor confessed to thinking we were the bad neighbors from years ago. I opened a door in the place where I live. I asked him to come inside.
Joseph Byrd’s work has appeared in Fatal Flaw, South Florida Poetry Journal, DIAGRAM, and forthcoming work in WAXING & WANING. He’s a 2023 Pushcart Prize nominee, and was in the 2021 StoryBoard Chicago cohort with Kaveh Akbar. An Associate Artist in Poetry under Joy Harjo at the Atlantic Center for the Arts, he is on the Reading Board for The Plentitudes.