Let’s just say it’s the one describing her father’s recent illness, how just before his fever broke his cough morphed into the sound of a steam engine hauling tourists up the two percent grade for one last glimpse at fall’s fading colors,
or maybe a request for money to repair her car, the one her friend borrowed, crashing it into a utility pole and breaking her leg after trying to tune the radio from Country to Rock—or was it vice versa?—
or perhaps an invitation to join the prayer chain that her new, so-called friends recommended after discovering her inability to make a financial contribution, her checking account needing some kind of assistance to grow from red to black,
or a plea to help pay for her cousin’s prescription meds, the ones he can no longer afford since his job and budget were downsized— cut down with those of many others to pay for the CEO’s retirement,
or maybe word of the warm spell bringing rain and wind, the combo toppling her neighbor’s dying oak—severely topped just a year or so ago—and collapsing the newly installed greenhouse like an umbrella,
that is, the message that was never written— or at least never sent.
Charles Thomas lives in Tennessee. Borderlands: Texas Poetry Review, Poem, San Pedro River Review, Poetry New Zealand, Spoon River Poetry Review, Friends Journal, WorshipWeb of the Unitarian Universalist Association, and Remington Review have published other poems of his. He plans to self-publish a collection.