Month: May 2021

migrations/departures

migrations/departures

lines everywhere

in our path

in our words

in how we touch

each other

and the other


questions on travel:

              who beckons the sun’s return?

              what marks the hour?

              do minutes make it late?


someone told us [the uprooted]

today       your tongue will march backwards

                            it will turn a bow in its nest

and you will go thirsty

unless you learn a new name     for everything


and of your name     once melody

now cog grinding away

in a production     maquina


questions on time:

              are there still seven days?

              or one family with seven names?


where are the lines      we must avoid?

so traps don’t trigger a snag 


lines

              everywhere

a noise      demarcating      sleep from fright


a metal centipede devouring horizons

hides stowaways yearning     needing

to blur lines


we are all stowaways

              unannounced

              we come and depart

swaddled in swaths of wind

and flag

The Inescapable Weight of Insignificant Details

             Anton Chekhov once said that if you bring a gun onstage at the start of a play, it must go off before the curtain closes. Audiences will assign significance to the smallest of details; they will assume that if a prop or a character or an idea is introduced, it will end up playing a part in the climactic tying-up of the narrative, regardless of what the author intended.

             A gun, therefore, that is loaded in Act I, must be fired before the final line.

             That night, when James entered the house, he brought a gun with him. It didn’t have to be a physical weapon for them to sense the threat. He sat at the dinner table with the barrel on his knee, finger crooked at the metaphorical trigger, while the family forced down mashed potatoes and green beans and confrontation. No one brought up the subject that hung in the air, thick as fog, or the fact that an armed man was in their midst, ready to fire at the drop of a hat, or the drop of a word. He had showed up out of the blue that night, right in the middle of their meal, for a reason none of them could divine. No one knew when he would make his move—no one moved to stop him. Politeness snared their limbs and confined them to airy, over-casual conversation as they waited for the shot Chekhov had said was inevitable.

             Each of them handled it a different way. The father, that stoic bulwark of the family, entrusted with holding things together even when they are falling apart, eyed James from the opposite end of the table. He never quite made eye contact with his oldest son, only watched him warily, like an officer watching the brush where he suspects a grenade has been rigged. The mother kept standing and refilling everyone’s glasses or bringing out fresh baskets of bread. When the youngest spilled a few drops of juice, she leapt up, wadded napkin in hand, and blotted up the particles before they even had a chance to stain the tablecloth.

             The youngest, a little girl with ribbons in her hair, pressed the back of her spoon into her mashed potatoes, oblivious.

             The other two daughters, seated side by side, understood more. Susannah nervously tossed jokes into the center of table, trying harder even as they fell flatter. She smiled, her dimples popping on each side of her face, but the look in her eyes was the scared look of a rabbit caught out of its hole. Occasionally, she would glance at her mother. But she would be busy complimenting the youngest on her braids or handing their father more bread without meeting his eyes.

             The middle sister, Teri, sat with her hands folded. She barely ate. Her eyes—dark, deep, and painfully big—shimmered with saltwater. The looks she cast her family were helpless, hopeless, lost. Of all the family, she was the only one who sometimes looked at James.

             He sat at the foot of the table. The young man ate steadily, like a machine. One of his hands was always beneath the table, resting in his lap. He had draped a napkin over his knees, just like his mother had taught him when he was a little boy. He hadn’t been so polite in years.

             On James’s right stood an empty chair. Whenever one of the family averted their eyes from him, their gaze inevitably fell on that vacant seat.

             “Any word from your boss?” the mother asked James. Instead of looking at him, she stared at a green bean that had fallen off someone’s plate, onto the tablecloth; it lay there like a little green log, floating alone in a sea of white cloth.

             James cleared his throat. “No,” he said. The table waited with bated breath while he raised a glass to his lips, took a sip of water, and set it back down.

             “I don’t see why they wouldn’t hire you back,” the father said with a little cough. “I mean, after the incident was…cleared up.”

             James gave a noncommittal shrug. To them, it seemed he slid a hand up the barrel of the gun, reminding them he had ammunition in his corner. To tread carefully.

             “It was a misunderstanding,” Susannah chimed in breathlessly. “Your friends were the ones selling, not you…I’m convinced they’ll change their minds, just as soon as they deal with all the paperwork and official bother… I know it.”

             “She’s right, son,” the mother told James. “Just let things cool down.”

             “I didn’t intend to do otherwise,” James replied in an impassive tone. He shrugged again. “Not that it really matters.”

             An awkward silence descended over the table, broken by the youngest giving a chortle and banging her spoon against her plate.

             “Now now, don’t do that love,” the mother shushed. She reached out and took the spoon away.

             James watched the intrigue, his face closed as a shuttered window. That one hand still rested in his lap.

             The mother set the offending spoon aside, and as usual, her eyes flicked for one second to that empty chair. She couldn’t help herself. If she had thought about it, probably she would have made an effort to avoid looking there. Maybe seeing that effort would have comforted James and made him think that perhaps she had forgiven him. But unconscious gestures reveal the most.

             “It’s the anniversary tonight,” James said.

             The whole table froze. In one motion, he had both cocked the gun and pulled the trigger, with an abruptness even they had not expected. For the first time every eye turned to James. Only the little girl kept playing with her fork.

             “I know,” James told them. “I remembered.”

             He turned to the mother, a pained crease between his brows.

             “You have a candle, don’t you?” he whispered. “You always light it at 6 o’clock tonight. Where is it? Bring it out.”

             “James…” Her eyes were darting now, quick as the candle flames. “I didn’t want to—”

             “Bring it out.

             Wordlessly, the mother got up and took a candle from the mantlepiece. It was a thick, off-white cylinder of wax, with a hole in the center where the wick had melted down. Each year it got fractionally deeper as they lit it, for ten minutes, and then blew it out. The ten minutes was specific—just like the date, just like the time of six o’clock. It all had a significance.

             The mother set the candle, with its metal filigree cage, in the center of the table.

             The others, knowing the ritual, sat up a little straighter. James remained motionless in his seat; he stared at the wick as his mother put a match to it. The tip of waxy string spat and then burned, exuding a little bubble of warm light.

             “Start counting,” James said. He stared into the candle flame, like a man in a trance. The tongues of flame flickered just slightly in the pupils of his eyes.

             “1, 2, 3, 4, 5,” the youngest cried at the top of her lungs. Susannah hushed her in a panic, letting loose a nervous giggle. Teri just stared at her youngest sister like a theatregoer judging an ill-placed moment of comic relief—jarring, off-key. The mother and father, for once, barely noticed their youngest’s antics. Their eyes were riveted on James, like James’s eyes were riveted on the candle.

             “I counted too,” James whispered. His voice was so low, he might have been talking to himself. “I counted every second it took the ambulance to arrive, every minute they worked on him… until nothing could be done.”

             Passed away at six hours, ten minutes, on January the 16th. Blunt force trauma to the head, crushed lung, multiple abdominal injuries. Passenger side of car completely crushed.

             “The paramedics said you did exactly what you were supposed to,” the mother told him. “Calling 911, staying with him—” Her voice was forcibly positive, chipper almost. Everyone tried to ignore how obvious it was how hard she was trying. On the wall, the dining room clock ticked obtrusively, reminding the family that it was still keeping time, still counting off the seconds, the minutes…

             “Not that night.” James shook his head, back and forth. “One night, I mess up. One night, and nothing’s ever the same afterwards. Nothing.”

             Driver unharmed. No witnesses to the collision.

             Tick, tick, tick. The little girl, subjected to silence, hummed her ABCs in a sing-song rhythm.

             The mother opened her mouth to contradict James. But no rebuttal came forth. She looked over at the father, her husband. But his jaw was tight, his eyes at once cold and teary. He held the place of defense, but he could not muster a response.

             “We don’t blame you,” Susannah said as she fussed with her napkin. “You know that, don’t you? Of course, nothing’s the same, how could it be? But you’re still… our brother… and we still… love you just the same…”

             Her normally fluid prattle trailed off, like the trickle of water from a drying spring. James was staring at her, and in the face of his pained, accusing eyes, she couldn’t continue to invent excuses. No amount of words could make up for the dinners he had not been invited to, the memories he had not shared, the days their family had spent apart.

             Most of it was James’s own fault, the parents had said. Drinking had been the start of it all, and when he started drinking every night, and carousing with his friends, and losing job after job, it just wasn’t a good influence for Susannah, and Teri, and the little one.

             But other times it had been too hard for the mother to see James without crying. Or for the father to take him fishing alone when his two sons had been inseparable. The girls didn’t know how to act; it wasn’t that they were angry, only broken, and confused—and deep down a little scared. If James could be so careless with their brother’s life, could they really ever trust him with theirs? Even a little bit? Was it worth the risk?

             As the years crept on, James had found friends with substances that made him forget, both the good and the bad. He had lost more jobs, and more girlfriends. He had briefly moved across country, before coming back and living in a rundown apartment with leaks in the plumbing. The family had watched it all from the safety of their home. Eventually it had gotten to the point where the parents had warned the girls to be careful if they saw James on the street. Careful, of their own brother. Their relationships had grown ever more fragile, until they interacted with James like one might with a neighbor’s dog—wary, polite, watchful. Why he had shown up tonight, unexpected and unannounced, was a disturbing mystery they were still trying to unravel.

             James saw all that as he looked into Susannah’s eyes, and then Teri’s, and finally his parents. A sad smile played over his face, like the play of the candlelight on the tablecloth.

             “You should blame me,” he said quietly.

             The second hand on the clock completed its tenth circuit. With one finger, James reached and snuffed the candle out. To him, it was just like he had snuffed out that life, almost five years ago now. It seemed fitting.

             He stood up from the table with the solemn regality of a minister at a funeral.

             “But we haven’t had dessert yet,” the mother stammered.

             “Dessert?” James regarded her with a sad, disappointed look. “Tonight?”

             At that, the mother could only look down at the smudges on her plate.

             “Yay, dessert!” the youngest shrieked and banged her fork.

             Hissing, Susannah darted a hand across the table and snatched her last remaining utensil away. Teri didn’t budge. She was staring at James, and the tears that had been lingering in her eyes now slipped free down her cheeks.

             James still held his napkin, draped over his right hand like a shroud. It seemed such an insignificant thing, at the time, why he still held his napkin after getting up from the table. But Teri would remember that when she remembered nothing else. If only she had realized the importance of the gesture sooner. Before nothing could be done.

             James walked around the table, as if heading for the door, and then stopped a few feet behind the little girl’s chair. He turned back.

             His audience, tense, uncertain, watched him on the edge of their seats. Though they didn’t want to admit it, they wanted him to leave, hurry out that door, disappear into the night… carry with him the threat he had brought into the room.

             “I lost my place here a long time ago,” James whispered. “The moment I took him in that car with me. You can’t ever forgive me. I wouldn’t either.”

             He looked around the table one more time. He spared a moment to watch the smoke curling from the burnt-out candle. He reached out one hand, the hand without the napkin, and touched the youngest on the shoulder, like one might touch the hand of a priest.

             “I’m sorry,” he said, his voice now barely a breath. “But I couldn’t do this alone.”

             He stepped back, and the napkin crumpled to the ground. The unshrouded hand came up.

             Maybe they had sensed it as soon as James walked into the house; maybe that was why, in their minds, they compared the tension to a loaded gun without even knowing why. Assigning, as humans always do, some metaphysical symbolism to details that seem insignificant: like the way he had rested his hand in his lap, or how he had spread his napkin over his knees.

             But they had made the connections too late. The signs had been there all along, but when everything came together, it still took them by surprise.

             The gun that James had brought onstage loosed its fated shot at last.

The Weight of Smoke, the Sacrifice of Snails

             She hears the click of the lighter through the phone. Into her ear comes Daniel’s inhale, the smoke settling in his lungs. In her mind, she sees the stars he lingers under, the only beautiful thing in his apartment complex, ceilings of cottage cheese, black cobwebs in stucco corners, an electric gate that smacks of detention.

             “You’re standing by the eucalyptus tree?”

             “Yes, how did you know? Beautiful night out. You should see the stars. Cheap clichés, every one of them, but my god, stunning.”

             Maybe she doesn’t hear the smoke, so much as she opens her own mouth and incense pours from lips that look younger than they are. Maybe his poisons taint her. His cigarette spectral in her lungs. His Manhattan stinging in her throat. But the philosopher’s words, when he wields them well, are like no other vintage of hemlock.

             She doesn’t ask. She never does. Are you smoking? It is evident, and although she has seen far ahead, knows where the paved world ends, still she does not question how he will walk there, if he will roll the leaf, tongue tacky on phyllo-fine paper, if it will be a lighter or match that sparks the smolder, or just a pack of Pall Mall’s bought at the store on the corner.

             “It’s not the cigarettes,” Daniel says. “That’s not why I got sick.”

             “No?”

             “No.”

             That is what he said two weeks ago. This week, “Bad news. They found a spot. On my lungs this time.”

             She winces. Full moons waterslide off her lashes, fat heavy droplets on her leg. She knows exactly what has been lost.

             “Biopsy in a few weeks. It’s probably just an infection.”

             Nothing she has ever shown him will mitigate his way of walking. This is how men are, she is told. “You cannot change us,” says John, a serial dater; three weeks, three months and it explodes every time. John has known her a few years and yet does not know her at all, never will. He cannot change. Neither can Daniel.

             But she will know, when Daniel rises, when he lifts. She will perceive what the others cannot, she will feel it bodily, his own body like a shoe that has grown too loose to hold the sole.

             “It’s the chemo,” he tells her. “Can’t taste a thing. Lost half my weight. I’m disappearing before my own eyes. Some kind of magic trick.” A mouth that used to lust for every earthly sensation, an appetite for the sky and all heavenly bodies, now suffers to eat a single hard-boiled egg.

             When Daniel’s light at last lifts, never having found what he most desired, when Daniel scatters like the sparks of a fire, a stop light red on the end of a Marlboro, she will know him by the warp and weft of a sky extinguished of all grace save this, his words.

             He says there is one thing he regrets. One thing he meant to keep. And though he found it a few times, can tell her the names, the rings that rolled away, glint of the sun in their curves, he can’t tell her where they went or if they ever made it home. He can’t say exactly why the band felt so tight on his finger, why he faltered.

             She listens. Inhale. Exhale. His smoke is on her lips. His illusions, his regret.

             “I can’t date younger women,” he says. “Well, date them, yes. But a relationship? No. It wouldn’t work. I mean, what side of the bed would she sleep on? What in the world would we talk about?” He says this at 3:01 a.m., a song of two insomniacs, three hours on the phone, words like firecrackers in Beijing, like balloons over Albuquerque. Ridiculous words. Delirious words. Absurd.

             “I assure you, there is one species of snail that was meant to die for the pleasure of man. And one species alone,” he says, 3:21 a.m. “The other snails are interlopers.”

             “What are they called, the special snails, the ones that taste good?”

             “The name slips my mind. But unlike other snails, they offer themselves up. It gives them sweetness, that tinge of sacrifice.”

             “Like Buddhist monks setting themselves on fire?”

             “Yes. There is a zen-ness to the snail.”

             “The snails I’ve had were deceivers, smelled good but tasted of pure rubber. If they died for man’s pleasure, they died in vain.”

             “Well, that is the dark magic of butter and garlic, they can make anything smell appealing. Even a garden snail.”

             “Are they alive when they’re thrown in the pan? Do they taste the butter and garlic as their last supper?”

             “Well, aren’t you sadistic.”

             “I’m vegetarian.”

             “So are snails.”

             This will go on for hours. Until dawn. She doesn’t answer the questions he posed, Socratic as they were. She doesn’t tell him that she sleeps on whatever side of the bed she falls on, that she has slept alone a life time, that it would mean everything to her, the world, to wake up next to a face she trusted. She has chosen paths with no maps, no streetlights, walked to the lip of the sea and further, never mind if ever she found her way home. But this, like the subtleties of the eclipsed moon, her shadowed, crescent smile, this is the mystery he will always seek and never see, though her rays fall a few feet away, though she observes him.

             When he calls again next, she does not answer. She knows what the news will be. The spot on the lung, a dot in an infinity of planets and galaxies and nebulae. That one little dot that the smoke gave to him, will take him away from her too, and he no more than a garden snail willingly prostrate to the cheap cliché of stars.

Grown Ups

Do you remember when you were seven years old

and you wore the pale blue t-shirt,

the one with the pony on it?


When you skipped arm-in-arm with your best friend

toward the swing set while classmates pushed

and ran and threw wood chips?


In youth’s soft round whisper you held no belief of betrayal,

sharing secrets and self like broken halves of crayon.


Now you wear practiced smiles at the grocery store,

at church and for the neighbors,


wanting the man that loves you in bed each night

to hold you like a surrogate mother,

a canary of assurance in a wound that will not heal.


When you were a child, you could catch frogs

and release them.


Now intimacy turns blue in the grip of a white-knuckled fist

squeezing until the body falls limp,

lifeless in your hands.

High Beams (GET OFF THE ROAD)

I have dreams

every other full moon or so

that I’m driving down middle road

and the sun had already set

and there’s a car driving towards me

he flashes his high beams at me.

On, off, and on. Three times.


I’m driving down the dip in the road

He’s coming at it from the other direction


His high beams light up the cabin of my Chevy Trailblazer

They illuminate the yellow dashes in the road

They light up the wheat on either side of the street.


On, off, and on. Three times.

What are you trying to tell me?


They light up the abandoned machinery in the field.


It’s been abandoned;

every time I pass,

every time the car drives by in my dreams.


The fields by this road are my favorite part of this town.

My family used to watch fireworks from that hill at the top of the road

and when the sun is setting

the city skyline lights up over the trees.


I used to take that road as a short cut to get home from Jay’s Diner.

It’s where I got pulled over for the first time.

It’s where I drove the car to the side of the road to spend three hours crying

just because everything was falling apart.


I have these dreams

every full moon or so

that I’m driving down middle road

and the sun has already set

and there’s a car driving towards me

and he flashes his high beams.

On, off, and on. Three times.


What are you trying to tell me?

Is there something wrong with my car?


YOU’RE DRIVING IN THE WRONG DIRECTION


Lately, the landscape has changed

but I still take that route home.

The machinery has been moving dirt.

Dad says they’re building soon

and we might not be able to see the skyline from that hill


GET OFF THE ROAD


I never go to Jay’s Diner anymore.


BEFORE IT’S TOO LATE


I don’t even know if this route is really a short cut.


GET OUT


On, off, and on again.


IT’S NOT TOO LATE

Realization

I wish I could write about the things that don’t hurt. like how the sky fights against the dark shoreline of trees. or how the sun makes everything glow golden in the mornings. and how the horses’ tails sway effortlessly back and forth as they graze the ground below them. But I can’t do that, I don’t know how. Or maybe I could write about the red windmill in the backyard that creaks and turns as the wind pushes through it. I hear the wind chimes and I’m reminded of my grandfather, reminded of his life and how his voice always boomed through the earth, the windchimes doing the same now. I wish I could write about how I feel when I look at him. I’ve been broken for a while now and gave up on that feeling, but he brings a different light than what I’ve seen before, kind of like the golden sun in the morning. I want to write about the warmth of the sun burning my back and I spread across the sheets waking up in the morning. The feeling of the tears running down my face when the boy gets the girl. the happy ending. I want to write about mom’s wildflowers that she planted in the garden, and how they shot from the ground and created a display of pattern and active color. At night, I open the door and see the night sky polluted with the burning stars, freckled with the white dots that remind me how small I am, how small my problems are.

I want to write about that.

I focus on the things that hurt because that’s what you told me to do. Never expect the best, conceal those emotions, they’re bad for you anyway. I want to write of the things that make me happy but you stole that from me a long time ago.

But I look past what I’ve written now, and the words in me are more powerful than you. I see the truth, only in me, not in you.

NOVUS Literary and Arts Journal
Lebanon, TN