Still Life

But what night isn’t like this?

I’ve always been since earliest version of life

Silent

Like the dinner table


Carrying tedious things

On my head—

When there are people talking over

And when the voices vanish,


Life comes out of my mouth

Holding a spatula

… it looks just like me

If only I knew how to cook.


I’ve experienced imaginations of the

End of the world.

So I’ve never been happy.

But I’ve been content in small spaces-


Queues, linen back seat of a Hyundai

That tiny store. North face.

A girl’s heart.


Each day I enter life at the same moment:

You alone in your room at midnight

Are in your nighties beautiful

As how people stop to watch the moon together


The night is…what again?


Listen: the slow parade of wind, the fan

And the refrigerator, humming.

The mouse in your cupboard

I have always sounded like this.

Emergence

In the days when Pittsburgh was covered 

by clouds of smog, cold-faced walkers 

navigated city blocks only by 

the neon lights of storefronts. 

MAX’S, JAMES ST, WHOLLY’S.


A time when the city was known

only by shoe to sidewalk,

for the upper floors of buildings 

were lost to the heavens. 

Like ants crossing a large field, 

the only way home, to recount 

each and every step. 


I wonder what it was like 

when the smog finally cleared? 

I think about families who lived 

in cramped row homes, tacted to 

steep-sloped hillsides, like patches of glitter 

barely hanging on to a 3rd grader’s school collage. 


I imagine that first spring morning 

and the mother climbing up to the 3rd floor 

to clean the modest back windows. 

A common task that would leave her white cloth 

black with soot, from distant smokestacks

settling over months of invisible rain. 


Yet, on this day, as she finishes, 

she would for the first time gaze out 

to see the entire city, presenting itself

like the blooming of white trilliums.


Steel and glass skyscrapers glistening gold 

from sunlight streams, standing tall and silent, 

garnering reverence simply by their size and stillness. 

And the blue river waters exhaling 

a long-held sigh.

Gathering Firewood on Tinpan

I bundle them against my chest, not sure 

if they’re dry enough. Gauging how long 

they’ll keep me warm by the thickness. 

I step around carefully, looking for 

the deadest, searching the low places 

for something small and old that will catch. 

I pick up the dander loosened 

as my father folds his hands, lowers his head. 

The rolling thunder on the surface of a nail. 

I pick up the cross that seesaws his chest 

with each step. The day I lost my faith. 

The night my dog ran away and came back sick. 

The battery-pump of her final breath. 

Still wondering if she left alone, 

or if my father walked her out of this world. 

Still wondering what he used for a leash. 

I go further into the trees and find 

more fuel. My friends faded on oxy 

and percocet. My cousin Josh 

buried young in the floodplain.

My brother and the ways I burden him. 

Living it over and over each night. 

My father walking into every dream. 

My fire not bright enough to reveal anything. 

Not even his face. Not even the leash.



Reprinted from The Low Passions by Anders Carlson-Wee. Copyright (c) 2019 by Anders Carlson-Wee. Used with permission of the publisher, W.W. Norton & Company, Inc. All rights reserved. 

C₁₀H₁₂N₂O: Ode to Serotonin

The therapist said you need sertraline.

Generic brand is still more 

than you can afford. You cough up the tens anyways, 

dropping them from fingers overworked

To the bone, nails chewed to skin

Near cerulean capsules quiet the hot static

Pulses, obsessive thoughts

Brain always switched on 

like the flickering bathroom bulb your mother stands under 

as she scrubs her hands raw. You wonder if they are sticky 

like the candy-coated words she pours 

from her lips or the slick lies she has been told.


The therapist said you need sertraline.

He said you have your father’s 

eyes, as though your honey browns

are covering up his icy blues.

The man with the prescription pad

Stares at you and says that you are not whole.

He thinks your fizzy chaos is more

 like your father’s live wire

Than your mother’s high tide.


Your brain quiets more in the silence

Than under the influence 

of a licensed dealer like him.

You still look in the mirror

and you take the pills to hide 

the blue underneath

your irises.

Shallow Water Over Sand

I have seen this color before, in my mother’s shift-robe,

on old dresses her mother might have worn, blue-green,

delicate shade, like shallow water over white sand,

now in my palm, on a button I picked off the pavement 

in the grocery store parking lot, color of thread stitched

into quilts made by hands born the century before last.

I Wake and Feel the Fall

In the middle of the afternoon I wake and feel

the fall of dark — the shadow on the dogwood


and the shortening of days. It is easier to say

things to the facelessness of crowded places full


of light. You can kill the thing you cherish in a

thousand different ways. In my dream I got


your name wrong; would you leave me if you knew?

In your place there are a thousand other faces


and I don’t know what to say. Long ago you gave

me something from the darkness to hold onto


through the failing of the springtime, through

dimming of our faces — would you make a last

appearance and remind me what it is? You can


kill the thing you’re scared of if you let it walk

you home, if you let it come in close enough —


enough to feel your breath. In my dream I

didn’t know you and you laid down on my bed.

NOVUS Literary and Arts Journal
Lebanon, TN