Gathering

They talk of lavender love gardens

And epiphany in the peas.

Hunter-gatherers all,

Making new connections

With old principles and new friends.

Shoshone and Paiutes mainly,

Led to Ga-Du-Gi gardening

By an Eastern Cherokee.

There are visions of course.

We Whites like them set out on paper

To justify our involvement,

And the government funding.

The Native people don’t trust paper much.

We don’t discuss why.

We know why.

“Hoopsters” they laughingly call themselves,

With visions of hoop houses

Springing up like pinion-juniper

Across the high desert.

We write this down under goals and objectives,

And try to fit them into a Spirit Wheel.

Yet, we share enough of our own spirit

To bond with the unstated fears,

The unrealized dreams.

Outside the fresh air heightens our senses.

We have our own Wheel now,

Too ephemeral to discuss,

Lest it vanish in harsh realities.

Decades come and go,

But the Earth abides;

Ready to nurture and sustain

Those attuned to her rhythm and needs.

We are getting there.

Butte

My brother bolt-cuts a hole through the mesh 

over the Family Dollar dumpster in Butte. 

I lower myself through. Dull light mumbles

from the car-emptied lot, slumping

on day-old donuts, moldy seed bread, 

a bulk bag of oats the rats have chewed through. 

I hand up the bread. I hand up the donuts. 

I hand up the tub of yogurt someone 

bought, opened, tasted, and returned. 

I go shoulder-deep through the yolk-crusted bags, 

reaching––maybe fruit, maybe meat.

After awhile you can name what you feel. 

Groping wet shapes with the tips of your fingers. 

Lifting them up to your brother.




Reprinted from The Low Passions by Anders Carlson-Wee. Copyright (c) 2019 by Anders Carlson-Wee. Used with permission of the publisher, W.W. Norton & Company, Inc. All rights reserved. 

Southern Cross

It wasn’t what drew me there,

but when I saw the Southern Cross

that year, visible all night down under,

turning with the hour,

it took me home, to my childhood

when I didn’t quite realize

what had risen

just above the horizon,

but I knew enough to know

I could keep that starry kite

if even for a little while

up above the boundary line.


I didn’t know it then, how special

the sighting was, my place in the world

far south enough to see it,

my hometown floating on the edge.

People looked right at the cross

and didn’t seem to notice

it was there

before it dipped below again.

Almost like a secret, that made it mine.

It was something I could turn to,

away from all the trouble,

and call my own.

Digging Out (for Richard Kirkwood)

January


Split oak and hickory watch with stored disappointment

from under the pole barn’s rusted tin

as a year dawns too warm, uneventful.

A resurrected black and white cat

over an empty bowl shoots accusing eyes

after skipping me three nights. I atone

with milk and meat that he consumes

not with the ferocity my conscience demands,

but with dainty leisure and frequent licks

of those genteel paws I’ve seen him use

to snap the necks of doves.


Unforgiven, I watch him stroll toward the shedf

or a nap or for dessert, moving with casual indifference.

Patchy snow holds the slightest trace of his passing

destined for erasure by day’s brief sun

or for a new storm to fill.


February


Determined, I start in. I recall

as a boy that strain of muscle battling

sparkling snow so cold it squeaks under foot.

Years and miles of drifted white

distance me from that first ache.

But comforting heft of snow being moved

returns me to the white that is touching

white touching white down the hill

and around a curve in this new state

toward a road I cannot yet see.


Bend, slide, hoist, pivot,

sling the whiteness wherever—mantra

of flesh. Cold air brushes my face

as I muscle slowly forward composing

mental lists: Red wine, juice for Chance,

jugs of water, toilet paper and pasta

and beans, cracked corn for the squawking ducks

with pond ice slowly closing in, worry

over frayed wires in the well house,

electric heater running.


The cat reappears on the trail behind me.

A redbird on a bare limb watches both of us.

Bend, slide, hoist, pivot,

toss more snow, sink the blade again

into its heart, assess progress, feel warmth

on my back from slanting sun and cat’s eyes.

My eyes follow twin black lines from pole

to pole as they strain and disappear

around a last curve reaching for the road

one might almost believe lies waiting.

The Molecular Level

With crutches and ropes, 

her brothers helped her 

scale the steeple of 

Saint-Pierre-de-Montrouge. 

Swinging past the clock, 

like from flying trapeze, 

this nameless woman 

reached the cross 

and rang the lone bell. 


Around the corner, 

on Rue Sophie-Germain, 

named for that jilted 

mathematician, 

you sat drinking your coffee, 

drinking in the atmosphere, 

replying to emails, 

checking your account. 

I watched her swing 

from the steeple as you 

studied Archimedes, 

Fermat’s Last Theorem, 

the royalist Cauchy. 

I wasted time staring at her 

flight, and you read 

Recherches sur la Theorie des Surfaces 

Elastiques.


I glanced back. 

Our eyes met again as 

if never before. 

The chemical bond strengthened 

and true. 

A heteronuclear connection. 

Atom upon atom, 

we exist in the same moment. 

We exist in the same 

infinite life. 

Neither created nor 

destroyed, 

our love is elastic. 

We learn of the melting 

Blackfoot Glacier 

and Schrodinger’s equation. 

The magnetics of our 

molecular bond attracting us 

again… again.


Suddenly, the ropes break, 

the crutches fall 

to the asphalt below. 

The nameless woman 

Lands with motionless 

broken neck. 

Inconnue on the police report, 

like Sophie Germain on 

The Eiffel Tower. 

Le Figaro

 suggested her right arm 

was replaced by the scales 

and toes of a chicken, 

shrunken in her sleeve, 

reaching for her crutch. 

It was never proven 

nor was that on the official 

report. 


You laughed it off on the 

surface and on 

the molecular level.

The Low Passions

The Lord came down because God wasn’t enough. 

He lies on sodden cardboard behind bushes 

in the churchyard. Wrapped in faded red. A sleeping bag

he found or traded for. Dark stains like clouds 

before a downpour. The stone wall beside him rising, 

always rising, the edges of stone going blunt 

where the choirboy climbs. He opens his mouth,

but nothing goes in and nothing comes out.

Like the sideshow man who long ago lost

his right testicle to the crossbar of a Huffy.

He peddles the leftover pain. The stitches clipped 

a week later by his father, the fiberglass bathtub 

running with color, the puffy new scar,

the crooked look of the pitted half-sack.  

He tells me you only need one nut, and I want 

to believe him. I want to believe he can still

get it up. I want to believe he has daughters, sons, 

a grandchild on the way, a wife at home 

in a blue apron baking. But why this day-old bread 

from the dumpster, this stash of hollow bottles

in the buckthorn, this wrinkled can of Pabst?

The Lord came down because God wasn’t enough.

Because the childless man draws the bathwater

and cries. Because the choirboy never sings 

as he climbs. Because the bread has all molded

and the mouths are all open. Open to the clotting air.

Homeless, anything helps. Anything. Anything you can 

spare. God bless you, God bless you, God bless. God, 

Lord God, God God, good God, good Lord very good God.




Reprinted from The Low Passions by Anders Carlson-Wee. Copyright (c) 2019 by Anders Carlson-Wee. Used with permission of the publisher, W.W. Norton & Company, Inc. All rights reserved. 

NOVUS Literary and Arts Journal
Lebanon, TN