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Author: Leonydes  Matis

Now Now

I still have hands and feet and eyes – this will serve me well. I am somewhere in a winery. The vines hang and hands work to pick the grapes: frantic, moving, cloth-like hands. I am looking out at the expanse of the Western Cape. I can see the lights of Stellenbosch in the distance where the students are. Where, possibly, my son is studying – it would be helpful to still know these things.

I don’t know exactly where my feet are heading. Those scampy stumps have a mind of their own, one I can never control. What drove me from the Atlantic seaboard to here was the pure instinct of these two feet. They brought me to this strange country in the first place. 

Herbert would be at work. He wouldn’t know for hours that I was gone. So run. Feel the magic, the heat dripping. Think of summer holidays running through the sand dunes in Gullane, the North Sea ice still clinging to your body, draining the Scottish soul before it had the chance even to be half-filled. Here, the wind blows but the earth is silent. Nothing moves but working hands, whistles in the distance, the occasional rumbling of a jeep engine. It could mean war, or it could mean nothing. 

I am not here to interpret anymore. I never was. I was here for love – something like that. That word felt awfully heavy but, then again, Herbert was a destiny laid out. When I met him in that dusty bar in Chelsea – was it 1970? – I knew in a second that he was a man I wanted. Oh, the way he talked to the staff: controlling, barbed but polite. The deference of the others there. The opulent wealth that he was never obtuse about. To a young model making her way through London, Herbert seemed like the perfect conduit to the inner circle. Back then my accent was mocked – it was the only part of me that appeared unconventional. Herbert liked that, back then. He bought me a drink before anybody else in the room had even sat down. 

Now, we must keep moving. If the jeep is the war, tanks coming in, if the townships are burning, then we must keep moving. I have time, but the Cape is not a safe place to linger too long past nightfall. Herbert’s goons will soon be swarming, needle-eyes looking for white amongst the black – a woman amongst the men. In this country of division and classifications, to be invisible was impossible. But I will try; God, I will try. Maybe I will cross a border. Maybe I will reach Durban or East London and pay a man to take me across in his boat to a new reality. 

Among the vines I think, Soon these words, this language, will mean nothing to me, I’m sure. Soon it will be a memory, lost to me. Me and June, my old English-speaking companion, mocked it in the tearooms, for it was an ugly way to speak, we thought. English is much more serene, we thought, but since independence it is now the second language in a country which has over thirty. Herbert would laugh and say, “Afrikaans is our heritage.” And later, while watching the news: “Look at how the Africans speak with all their clicks – so far away from anything a dictionary could document.” It was foreign to his ears, but it just made me think of something in the wind blowing through the veld: ringing, ringing, ringing. The voices of ancestors ringing, ringing, ringing. The voice of the country ringing, ringing, ringing. I was hearing it more and more often now. Even the maids would speak it to their children in their quarters, where they used to speak only broken English for their education. 

A long time ago, when you were out shooting in the country, I heard the same whispers of the language these wine workers are speaking now. It is different from the ones I usually hear. I don’t know the names but I have heard it only once before, spoken by the boy in the corner, huddled under the bushes – a long way from the Cape Flats or wherever he had come from, out in the wilderness.

Can you remember the voice that haunted these valleys? They had shot an eland, Herbert and his friends. The black boy watched the bullet so intensely and analyzed the death of the animal as though it were a human experiment. I think I was the only one who saw him. He had on a ragged Manchester United strip, a pair of shorts, and a tatty leather jacket. I let him stay hidden. I thought he may be with the terrorists, but still, this seemed like something to do.

The boy whispered to a figure who was obscured to me. He spoke in this language, this strange tongue. He seemed to be looking for something. I thought it may be a militia, and I thought it was a deep irony that the police commissioner might die being hunted like sport. I could imagine the blood leaving his body and saw him dying on a hilltop like a Voortrekker. He was born in the city and knew nothing of the farms, but to die like a farmer protecting his land like the Boers of old seemed to be every white man’s dream. We will die here as folk heroes and be remembered as villains. 

He didn’t die and the boy disappeared soon after. Later that day, it was discovered, some wiring had gone missing from an animal’s cage.

I must stop looking at this woman now, in the vineyard, for she looks scared. I always hated that look of fear. It’s why I don’t look at Black people very often; even my maid must turn away when I enter. Herbert likes to stare right into their eyes. 

First, before I move, I will go into the farm and ask the owner for some water. I will then ask him for directions to a shop where I will buy what I need. It is early enough in my escape that this holds little risk, but I need to get plenty of supplies while I still can – as many supplies as I can carry. To deal with the man at the farm, I would need my wits about me. Indeed, he would think I was trouble out here all alone; then he would see me and think I was in trouble, then lastly he would hear the surname ‘du Plessis’ and think he was in trouble. 

I have to work out how to get to the farm from his wineries without immediately being labeled a thief, or worse, a worker leaving before they were permitted. I can see the white facade of his house, the well-maintained green garden patch outside, a pond like a moat, a fence, guard dogs. The vineyard’s centerpiece surrounded by those cloth-like hands: picking, picking, picking. You can’t stay here, though, lying amongst the vineyards. The man will find you eventually. Maybe the police will know by then, maybe your picture will be on the TV.

Better to go now while I’m still invisible. So stand up, look at the workers and ask for their silence. They will listen to me, for I look official, like the wife of the vineyard owner. Hell, they probably can’t tell the difference. I probably am her, just as the voices here probably sound like the little boy in the football strip to me. When I make the ‘ssshhh’ gesture towards them, they say nothing. I creep around the bushes, around the back of the house to the front. I start to imagine the landscape as a chess board and me as a piece, with the liberty to move in any way I want. I approach the house, ring the bell, and watch a young man in his checkered shirt come down. 

Tannie, what is it? Are you okay?” 

Checkmate. 

“Come in for a tea, Auntie,” he says to me. “Come in and we will be safe.” For outside, the hands are still moving and the workday is not yet over. The curfew had not yet been imposed, the military jeep was not yet an enforcer, just an observer. But wait until night falls. Maybe I will see the flames and hear the sirens we read so much about. This would make me happy. I would like to see a little bit of destruction. I don’t hate this country, nor do I love it, but to watch something burn is exhilarating – even an inanimate object such as a piece of paper, lit alight by a schoolboy until it is cindered ash. That’s how I feel about dear old Suid-Afrika: a piece of paper slowly smoldering. Now I was a jumping ember.

Scotland burned for me a long time ago. Now, it is a place of memories as opposed to a country, but maybe that’s all a country is. And if the memories are different for everyone, then everyone has a different country. That means there are six billion countries; that means this place doesn’t exist. This is why, Herbert, your memories are useless, your heritage a sham, because this land is a land is a land is a land, just like Scotland is a land is a land is a land is a land; and feet walk and different faces smile and cry, bodies buried underneath rot and time’s needle moves. Stay stagnant, for the land doesn’t.

Oh, I used to talk about these things in cafes in London. That seems like a long time ago, when the world had no passport and no tramlines; when there was no signs to say, “You can’t step here”. Ot if there was, I barely noticed them. Now, I tend to stick to home and to cooking. Herbert doesn’t mind what I do as long as I cook for him and let him have sex with me twice a week. These are the two constants of our marriage; they keep the wheels of his life spinning, his business booming. 

But now I have gone. Now that I have slipped, I can’t recover that reality. And the reality of the passion I had in the past with different men, young men, is a bygone one. It is not a question of returning to London, it is that the 60s are a time I can never have back – they were freedom, music, hash; I don’t know if they existed in the same way here. I had an image which could be captured irrespective of whose arm was around my waist. My disgraces were all still ahead of me, and to be disgraced seemed then like the greatest thing ever. Now it just seems like a headache. Could you imagine your figure in a bikini now, or a tight-fitting Dolce & Gabbana piece? It would make you laugh.

I’m accepting the young man’s offer. He called me “Auntie”. I’ve never learned to love that particular Afrikaner deference to age; it just makes me feel old. The house is large but ramshackle. And who is the boy? He looks to be in his early twenties; he has an unkempt beard and a tired look. It is clear he is not the owner as he takes me through to the kitchen. 

“You want tea?” he says.

“Tea would be lovely,” I smile politely.

“Sit down on the sofa; make yourself comfortable. My dad will be back soon and you can tell him what’s going on.” 

He is heating up water in the stove; the back door is open and the dogs roam, patrolling up the edge of the barbed-wire fence. I don’t know what to tell the owner when he comes. I need to think of a good reason for pitching up at the door of a random vineyard that doesn’t make me seem dangerous. The boy pours the hot water onto the teabag but doesn’t let it settle; for two seconds he swirls it around and then quickly takes it out and puts it in the bin. The tea tastes ghastly when he brings it to me. He offers his hand.

“Johan.” 

“Pleased to meet you, Johan.” 

“You too. What brings you here? Are you okay?” He looks me over with a sense of politeness, respect, and concern – the holy trinity.

“I’m fine, just lost.”

“Oh well, we are just outside Stellenbosch. Where is your accent from?” 

“Scotland.” 

“A Brit. Oh, my dad won’t like that,” he chuckles. “What brings you here?” 

“I’ve lived here for 18 years. I’m married to a South African in Cape Town.” 

“My dad will give you a lift back to the city if you’d like,” he says kindly, smiling. “It’s not safe to make the journey alone, with the current situation. My dad knows the route; it’s a little longer than usual but –” 

“I don’t want to go back to Cape Town. I’m heading to Durban.” 

He looks at me inquisitively. “You’ve got a long way to go, tannie, a long way. Do you not have a car?” 

“No, but I need to find a friend of mine. It’s important.” 

“Well, okay. What’s your name again?” 

I pause. “Linda. Linda Clark.” Don’t tell him you are Sarah du Plessis and he will trust you more… 

“Well, Linda – my dad will be back soon. Until then, please make yourself comfortable.”

But all I could see was the mess, the heat shining through the windows illuminating the stub of a rifle. 

*

When the owner returns, he turns out to be a man whose stature does not match that of his farm. He is much smaller than his son and he wears a white shirt and brown trousers. Still, he commands the kind of respect I only hold for Herbert, and even that is now fading. He talks to the boy outside and then introduces himself. He says very little.

“Hello, Linda. You should stay with us tonight.” 

“Oh, no, it’s okay. I’m just looking for directions to the shop –” 

“Curfew is coming soon; you shouldn’t be out.” 

“But I need to –” 

“No, lady, I won’t take no for an answer. We can’t have the good women of this country out alone when the place is burning. You will sleep, and tomorrow we phone your husband, ja?” 

I don’t want to stay, but I know resistance is futile. I know he won’t listen to those words; and I know what he said is right. He continues, taking my silence as a yes: “We have a spare room, please take it; Johan will show you.” That is all he says, and then he disappears again. Before he does, he picks up the rifle – this is the main thing I notice. 

When Johan shows me the room, I see that it is a farmer’s room. I haven’t slept somewhere so small since the 60s – since London squats and, before those, Govan tenements. I was poor then, poor as can be, but now I hardly remember it. Now for one night again I will sleep like a member of staff; a high-ranking one with her own room, but still staff. I guess it will have to do. I guess I will need some food.

Johan says, “Is this okay for the night? I know it’s not perfect, but it is safe. Pa makes sure.” I’m sure he does. I’m sure the fence keeps you safe. I’m sure the expanse of the Cape, though, harbours many shadows, and some shadows are smarter than others. Smarter even than the blunt instruments used by your father. His gun and his fences can’t hold out forever – or maybe they can, I don’t know. As long as they work for the night, nothing else matters. I will leave early in the morning before the phone call can be made, before I can provide him with a number I don’t have.

“I’ll leave you to get comfortable. I’ll be here if you need anything.”

“I’m terribly sorry, Johan, but I am quite hungry.”

Ja, ja, of course you are,” he grins. “I can make some chicken? Or I might have some boerewors?”

“Chicken is good.”

“Of course, give me half an hour.”

I sat there for forty minutes, watching the walls. There were three books and only one in English: an Agatha Christie murder mystery. I read it with intrigue until he called me, knocking on my door.

“Let’s have some chicken then, eh?” He smiled. I was starting to like this boy – polite, well turned out, and funny; kind of like my son. They were both army skippers as well; they must be.

“So, Johan, why aren’t you out there with the SADF?”

He looked at me, worried. “I’m just back.” 

“So, you have already served your conscription? You don’t look old enough.” 

Ja, ja, well, I have a youthful face, but I was out in Angola.” 

“Okay, enough said.” 

“Yes, better not to talk about it. I might go back out if I can’t stay here.” 

“What, to the townships?” 

He shrugged. “You know this is the last chance for us in Africa. I have to fight. What happened to Rhodesia can’t happen here, you know. Anyway, let’s not get started on politics. An English and an Afrikaner, eh? Never ends well.” He laughed. “But we must be united. Tell me about your life in Cape Town.” His eyes lit up. “What does such a beautiful woman do with herself in the city, huh? I bet you have such an exciting life.”

“Not really, Johan. I’m a housewife.” 

“Ah, the domesticated woman! How many kids? Who is your husband? What does he do?” 

“You ask a lot of questions.” 

“Who doesn’t? You just turned up here like a ghost.” 

I couldn’t help but laugh and smile at his youthful arrogance. Oh, the boy was sweet; he had fight and candor and passion – all misdirected, of course, but when had that ever not been the case? “I don’t have any children, and my husband is a businessman.” 

“Oh, a housewife with no kids? How come? What do you do all day?” 

“It’s quite rude, Johan, to ask a lady why she doesn’t have any children.” 

“And it’s quite rude to turn up unannounced and make me cook you a meal, yet here we are.” His grinning, contemptuous face – I realized he had stopped referring to me as tannie or auntie.

“Well, I never wanted any. And I cook and clean and keep my house for my husband.” 

“Oh yeah? And why aren’t you there now? What’s your business in Durban?” 

“Well, it’s part of a business deal.” 

“Oh, okay.” He winked. “A business deal. What are you really running from?” 

“None of your business.” 

“Oh ja?” He smiled.

I scraped the rest of the chicken around my plate. “Do you have any coffee?” 

He grinned. “No, but we can have a cigarette.” He lit one and passed me the packet. 

“Sure.” I took it and smoked. I don’t smoke often now; I used to back in the day. Who didn’t in Glasgow in the 60s? And who didn’t in London in the 60s? Indeed, who didn’t smoke anywhere, at any time, in any place, in the 60s? 

“So, Linda, I don’t care what or who you are running from.” He sighed and exhaled the smoke in an almost erotic manner which surprised me, as he leaned back against the chair, eyes measuring my body inch by inch. “It’s good to have some company here. Since the barracks, I’ve just been here.” 

“You don’t have any friends? Girlfriends?” 

“No,” he grinned. “Nothing like that. I’m alone on the farm. All alone.” 

“Well, you should come to Cape Town. You know, study and –” 

He laughed. “Study what? Eh, I don’t have any qualifications, and I’m good on the farm. I have my staff. I’m a good manager.” 

“I’m sure you are a good manager.” I roll my eyes. Yes, I’m sure you are, with no education and no qualifications. 

Ja, I am. They respect me and I respect them; it’s simple.” He scratched his chin. “In the city, though, I would love to hear the music.” 

“Not much chance of that anymore.” 

“Well, it must still be more exciting than here. Tell me, how is England?” 

“England is England. I am from Scotland.” 

Ja, but the only difference is the rugby teams.” 

“You may think that.” 

“I do. So, how is Scotland then?” 

“It’s okay. Different from here.” 

“Everywhere is different from here.” 

“Most places are more like it than you think.” 

“You travelled a lot then?” 

“No, I’m just saying –” 

“Just saying what?” His grin was starting to annoy me no end. 

“I just mean … Oh, it doesn’t matter. Let’s stop the heavy stuff for tonight. I’m tired; I might go to bed.” I try to sound resigned to bed. 

“There is still more wine,” he says. 

“Well, you can finish it.” 

He pours me a glass then says, “I’ve already poured you a glass.” 

Ah youth – terrifying, backbreaking youth. “Fine, I’ll finish the glass.” 

Johan talks about music and then cricket and then he talks about Dallas. I tell him, “I don’t watch TV.” He tells me I’m old and that I really must. I don’t have the heart to tell him that the SABC would never show anything that interests me. I know he would then, no doubt, ask what does interest me, and I don’t want to answer that because I don’t know – and even if I did know, I think the answers would worry him.

As we are sitting there, getting drunk, and the wind shakes the house gently, we are slowly moving closer. First he touches my hand and then my leg. I haven’t felt the touch of another man in a long time, and he is so much younger than me.

“I could be your mother, Johan.”

He chuckles, “But you’re not,” and leans in to kiss. I feel his unshaven skin bristle against my chin. At first, I pull away and keep my mouth firmly shut, but then I open and allow him to push me towards him, submitting to the vineyard, submitting to the Cape, falling down into the boy’s hands. I wonder how often he gets visitors. 

“Do you want to go to your room?” he whispers, now gently moving his hands up my top, feeling my breasts. I don’t know, but I nod and follow him. It is over in 10 minutes. Johan is still laughing, as if something about sex amuses him, while we sit beneath the covers of my bed. We are not touching. After he cums, we do not kiss. He just puts a cigarette to his lips.

“Hey, tannie, that was nice, wasn’t it? I wish more ladies got lost out here.” He chuckled. “Wow, I haven’t felt that way since Angola.”

“What does that mean, Johan?”

“Ah nothing, nothing. I wish I could sleep next to you, but my dad will be back soon. I’m going to have a bath and let you sleep.” He doesn’t kiss me again before he leaves. He turns off the light as if commanding me to sleep. 

I wake up at 4 a.m. and think of how to leave. The first step is simple: I climb out of the window. But then how do I get over the fence? That is the big lingering question. I can’t scale it. So instead, I decide to wake Johan. I stand in his room, shaking his sleeping body. “Johan, Johan,” I whisper. I look at him at this moment and see a child. Earlier seems a long time ago now; a different person almost. He wakes up.

“L-Linda, what is it? Are you okay?”

“How do I get out the gate?”

He switches on the light. “Are you leaving?”

“Yes, yes, please – I need to, you don’t understand.” 

“Well, make me understand and then I’ll help.” 

“Well, I just can’t go home.” 

“Where will you go? Durban is too ambitious; you’ll never make it.” 

“I don’t care where I go.” 

“Well, I’m coming with you.”

He stands up stridently, suddenly putting his stuff together: four pairs of pants, two shirts, and a book in an army rucksack slung over his shoulder. 

“No, you’re not.” 

“Yes, yes I am. Come on, I need the excitement.” 

I think I could let him believe I could be with him just so he can get me out of here. “Okay, okay, fine.” 

“Really?” He grins. 

“Yes. Now, how do we get out?” 

“Oh, easy, I have the key.” He takes it from his bedroom drawer. “I can open it.” 

We are out in the fields. It is dark. We do not have torches. I can barely make out anything but the guiding lights and sounds from the townships; the armored cars in the distance that endlessly move towards it. What lies in front of me, though, is empty.

I take Johan’s hand and let him guide me through the winery. It feels quiet without those voices, with only Johan whispering about where we can go next. I’m not listening. I let the words wash over me, but I am used to humoring men and know what to say so he believes my sincerity. It’s very easy with men; they tend to believe what they want to believe.

When we are through the gate, Johan says, “Where should we sleep?” I point out those glittering lights and walk towards the motorway, in the direction of the township. Johan looks at me as though I am insane. “We can’t go down there.” 

“Are you coming or not?” 

Johan just freezes. He doesn’t come. He sits and watches me walk down, confused. I can hear the ringing of something. I sense my life could very soon be over. I wonder where my son is; I wonder what is happening in Scotland right now; I think of Herbert’s goons out looking for me; I think of blood and Manchester United.

I look back at Johan as he gets smaller and smaller, and then toward those lights – the shacks, the fires that glisten ever bright.

Cherry

“Come here.”

She had a perfect, late-summer cherry between her teeth and when she broke its skin an impossible red ran over her tongue, between the seam of her lips. She spat out the core and the fruit along with it, looking like some boxer on television who’d just been punched in the jaw and worked up a gob of blood and pulp. She kept only her mouthful of juice and stained the ground with the rest.

The air was blue and early over the meadows, the world tucked away, new and untouched. Him and her. Their little secret. The orchard folded over them, encrusted with dew and the spilled guts of devoured fruit, dampening the parched grass and cooling their bare toes. When she pulled him to her, he could taste the sweetness lingering on her lips until she bit him hard enough to draw blood.

He’d met her while the early-May light was still reaching the world in watery beams, while the tulips were disintegrating and teachers were still droning away at their blackboards. She was leaning on the wall three lockers down from him, bruised knees showing under the hem of her dress. He’d watched her before, strawberry hair always in a tangle, gaze never still enough to hold. Until now. When he asked for her name, she reached out a hand with nails bitten raw.

“Cherry,” she said, cutting off his circulation. “Cherry Stritter.”

Summer had come on fast that year, and his pulse had quickened with it. Everything else was long and slow. The sun dragged across the endless days and the two of them disappeared into the meadows, into acres and acres of land once kept as a public park and now left to run wild, to swallow up those who didn’t want to be found.

In the mornings it was cool enough to wander under the fruit trees, to climb for high-up cherries and dance around the early-dropped plums coating the bleached dirt and stubby yellow grass. At midday, the sun left no shade and he watched from the bank of the steadily shrinking pond below the orchard as Cherry waded in. In the afternoon, the light cast wiry shadows from the trees they sprawled under, sweating away the most sweltering hours, the hours that Cherry said turned piss to steam before it could hit the dirt.

The sun was plotting to reach them with its slanting fingers, shimmering on the thicket of high grass surrounding the bald patch beneath their tree. Cherry was on her back, hair dragging in the dust, feet propped on the knobby roots snaking beneath them. She tossed one in the air, let it fall. Her fingers dug up a clot of dirt, the closest thing to a pebble she would ever find out there, and tossed it in his direction without looking.

She got up and wandered off and he followed.

The land was flat and sun-beaten. Cherry moving across it was a rebellion, a refusal to acknowledge the feverish heat pressing down on them, thieving the moisture from their skin and the strength from their bodies.

She wove through the tall grasses ahead of him, the path whispering closed behind her so that he had to repart it at every step. He caught flickers of her between the wispy golden stalks, like a daylight ghost dancing on the dead air. A mirage, always out of reach. Impossible to act on, impossible to hold down.

            The twisting cherry trees solidified first, artificially bright leaves hanging limp under the heat-lamp sky, the shorter plum branches burdened low and heavy beneath bruise-colored fruit. The grass fell to his shoulder, his knee, then to chopped-off stubs poking through the dirt. They pricked the soles of his feet as he wove through the trunks and after Cherry, avoiding sun-baked pulp as he went.

The dropped plums seemed to have doubled since the morning, when their rot was still disguised under a veil of silvery damp. Exposed, they were blackened and bursting with their own insides, bleeding a sweet, necrotic ooze. Greedy, fatted flies bobbed through the air, diving for the fruit before resuming their drunken flight. He watched as one paused, probed, drank deeply, looking like a blood vessel about to burst. He wondered if it could taste what it was taking, if it liked it or was too starved to care.

Cherry was ahead of him, sizing up a tree. She hiked her leg up the trunk and he saw bruises on her shins and knees and stretching up to paint her thighs, set off by the old scratches of thorn tendrils and the newly inflamed cross-hatching where the plum bark scraped at her skin. She looked wild, marked-up, as if the world had taken hold of her and dragged her around a little instead of merely allowing her to trip through it like everybody else.

            She hoisted herself higher and flopped onto a sturdy, half-shaded branch, panting and wetting her cracked lips. Her legs dangled in front of him as he followed her up. She swung one at him and missed. The hem of her dress was stained with pond water; he watched the cotton edge of her underthings beneath it and wanted to run his hand up her skin.

“Maybe I should meet your father,” he said.

She sat up as he reached her, in his face.

“No.”

            She dropped her damp cheek against his shoulder and bit his collarbone. All at once he wanted to shove her. Away. Down. On her back. He didn’t know. He wanted to grab her leg and pull, to send her plummeting through the branches, to watch her hit the ground like the gnawed-on pits they’d thrown that morning. He wanted to bite her calf, her thigh, higher. He wanted to disappear into the tall grasses, to escape her hungry, searching mouth.

She was always biting. Grazing his ear, teasing his finger. Sometimes, he hated her.

Once, they’d been lying by the pond, limbs splayed over the cracked mud, crushing a flat, boy-and-girl-shaped patch among the tall grass, when without warning, she’d rolled up on her side and sunk her teeth into his bicep, keeping them fixed there as he yelped and she stared up at him with a trance in her eyes. Usually, she bit him while they were stuck together with their own salt, when she would nuzzle under his chin or find the tender flesh beneath his ear, as if she was trying to bury herself in the layers of his skin. He’d feel her sweet breath, a prick of canines; finding her mark, burrowing in.

“He wouldn’t want to meet you,” she said, unfastening her teeth.

There was a fresh mark on her knee. He watched as the joint bent and stretched beneath pinkish skin.

“Hey.”

“Really.”

“I’m not so bad.”

“Exactly.” She kept her cheek against his shoulder and wove her fingers through his, like grasses tangled together in the sweeping, lifeless wind.

Cherry was late, the sun nearly at its summit by the time she emerged through the field, fresh scratches on her knees from the greedy, groping thorn thickets above the orchard. She held a battered milk jug filled with some dark liquid, runnels of dried-up purple cutting lines down the plastic. She grinned, holding the jug aloft, and her eyeteeth seemed to wink at him.

“What is it?”

“Plum wine,” she said, squatting and unscrewing the cap.

“Your father’s?”

“Not anymore.”

She looked away, and he wondered if she was afraid. He watched her throat bob as she pulled a long swallow from the grimy plastic and then passed it to him.

He abandoned his usual noontime post on the bank and they waded through the pond for hours, tossing the jug back and forth and throwing mucky water in each other’s shrieking faces until Cherry’s shoulders and cheeks grew bright with sunburn and she left him for the shade of a pond-side tree. He lingered, standing thigh-deep in the stirred-up water, watching mud swirl from its bed to stain his fingertips. He thought of Cherry’s spattered dress, of her bruised thighs, of her bare, blistered shoulders.

He staggered from the pond and cut a crooked path toward her.

“You’re drunk as a skunk.” Her grin was lazy, her eyes unfocused.

He nodded, standing over her, knowing something she didn’t: he had already been drunk. On the hot air and endless skies, on the middle of nowhereness, on the whispering grasses and the maw of the depleted pond bed. He was drunk on the girl in front of him.

His skin was trapping heat, pooling it. He was too full of her, too full of ideas, bloated and stupid with them. He felt nauseous, as if he would be sick if he didn’t touch her, and it was only ever going to get worse.

Cherry slouched low against the bark in front of him, her hair caught up in the rough seams above her head, forming a mangled, gingery halo. He lowered himself unsteadily into her lap, resting heavy in the junction of her broken-doll legs. He let his chin fall against her navel. Stared up at her. Said nothing. Felt like he was begging. Fermented plum stained her lips. A rivulet of wine trailed over her jaw. He licked it. She giggled and licked him back, leaving a sour film over his mouth. She took another gulp from the jug and fell back against the tree.

He was dreaming, hallucinating. She was right in front of him—beneath him—but somehow distant and untouchable, slippery and blush-bright and full of teeth. When she bit him, at least, he knew she was real, that they existed on the same corporeal plane. But she wasn’t biting him now, only sitting quietly, watching some faraway wisp of grass or bit of dust as she let her fingers fall absently through his matted hair.

“D’you ever just want…” Her words slurred and she trailed off. A minute passed before she picked up again, as if she’d rediscovered the thought while rifling through some attic of her mind, dusted it off, and stuck it back in her mouth. “D’you ever want a soft sort of world?”

“What?” He was watching her lips, feeling her heat. His brain felt like the steam of breath on glass, fuzzy and barely there.

“Dunno.” She stretched a hand up in front of them. There was a shadowy stripe over her knuckles. “Just sit with me, I guess. Please.”

He felt like there was a current leaping beneath his skin. He didn’t want to sit. He wanted to roll her over in the dust, to squeeze her hard enough that he could keep himself from bursting, from cracking open and spilling out.

He tried to pull himself up, to reach for her, but she drew back and slid from beneath him and disappeared into the fizzing, static-filled hum of the grass. He stared up at the sky, his entire body heated and aching and too heavy to find her. The abandoned jug lay beside him, caked with pond scum and holding the last of their sun-spoiled wine.

It was days before he saw her again. He waited, watching the mornings disappear under the plum trees. She was not there to wade through the pond at noon and so he stayed in the orchards to watch the flies wade instead, through sour nectar and decaying fruit flesh. He stayed even when his head began to ache with thirst, even when the flies landed on him and lapped at his sweat. Only in the evenings did he rise and go to the water, sitting defeated along its edge, filling the stolen jug and soothing his throbbing skull.

Nearly a week had passed when she appeared in the night, across the water, like a will-o’-the-wisp come to lead him astray. Instead she crossed to him, circling the bank to his perch on the cooling mud. The moon was full and high and its light gave the pond the sharp shine of a knife’s edge, the water somehow alive as it never was during the long, flat days.

“Hey there,” she whispered, unsteady.

He rose to meet her and she slipped her hand into his. He pulled back. She moved forward, trapping him in the cage of her arms, and she must have felt his stiffness but she hid her face in his neck anyways and softly bit the skin there.

The blow came like a crack of summer lightning, the impact snapping her head back and radiating up his hand. He had never been sure before if her father hit her, but he was now. He could see it in the way she was quiet, in the way her eyes met his with an unexpectant dullness, even though he was still humming with the shock of the strike. It was in the way her lips formed around his name, even as her cheek bloomed dark as rotted, bloody plums. He turned to leave and she reached for him. Sealed them together like hot wax over a note, like a pact of sliced and oozing palms, like the saccharine, sticky death of an insect on honey. Her lips were coppery with blood; something inside her mouth was broken open and it flowed over his tongue. He sunk her low in the high, spindling grasses. The ground was cool against her back, against his palms as he leaned over her. Her hand was knotted in his hair. There was a cut over the height of her cheekbone, fresh shades of red and purple flowing out from it like the rings of the drying pond. She twisted her fist painfully against the nape of his neck and kissed him as if she were drinking from him, as if he was the one belly-up in the dirt.

Beneath the night, beneath the grass, beneath him, she solidified. She could be touched, she could be hurt. She could be had.

Her eyes were wide, wild, staring up at him. Afraid. Something barbed and weedy unfurled in his chest, something hateful. He forced her head back to bite the soft, sweet flesh of her throat, and she yelped.

The moon was sinking, carving a line down the night. Cherry’s dress was ripped and lying in the dirt somewhere above their heads. Her wrists were bruised, her throat littered with the imprint of his teeth. Her hands curled against his chest, fragile and transient as droplets tipping early-morning grass before they were scorched away. Instead of a soft love-blush, her cheek showed a deepening bruise. Dark patches marred the pale skin over her ribs and her left hip-bone, marks that he had not put there.

He held her tight, but thought about letting go, about tossing her into the mud and making her crawl back to him. But he would keep her, he thought, in the end. He would keep her where he wanted her, because she needed it, because he wanted it, because he could hurt what had been taught to hurt.

The moon abandoned them. As he watched, silver fingers tore open the sky, flooding the meadows, the orchards, the high grasses and the pond, pouring over the mass of their spilled and tangled bodies, all of it razor-bright and bristling with dew.

Single Mothers After Dark

I lie in bed no sleep in sight
More awake with the moon than I was with the sun
The next day closer than the last
Shows that hold no mysteries to me whispering in the background
Craving things that my mind wants
But that my body will regret
Cheddar Chex Mix
Reese’s Cups
A man
The candle’s flame dances in the distance
Releasing a painfully nostalgic aroma
I was once just a woman
I took 45-minute showers
Survived off saltines and ramen
Had nightly meetings with Mary Jane
No side-stepping Lego landmines
Or llamas in pajamas
So now the moon and I
We enjoy the stillness of the night
My time becomes my own
My name is nonexistent
My space is substantial
My peace is protected
Tomorrow I may be slow to wake
Tonight, I have no regrets
I smile
I laugh
I remember
I hope
For just 10 more minutes
Or maybe 15
Before I know it
Tomorrow will come all too soon
And this time I have
It can only come with the moon

Verdicts In

last summer’s strawberry syrup sits in the fridge
my shoes should have been cleaned before I left them for you to ship

the truth turns so quickly
i find myself lying

the murmur of people sing a different song
our semesters are cursed to different timelines

maybe that was sell by
we aren't the first or last to try

pinky promise
being honest
syrup down the drain

The tricolored blackbird as environmental subject/object/subject in an ecopoetic fiction

The tricolored blackbird is a native of California, and reputedly the inspiration for the electronic sounds of R2D2, for which it received no credit, no benefits, no compensation:  it is an officially threatened species.  A feather from the epaulet can be used in divination.  The blackbird is a tri-gendered subject.  It is majestic.  And economically oppressed.  It is related to the red-winged blackbird, its far more common cousin.  The tricolored blackbird of California is underprivileged; 80% of its urban population is located in federally designated food deserts.  They subsist by dumpster diving.  Those still in the wild eat their fledglings, Medea-like, in acts of vengeance against unfaithful partners.  The blackbird’s rating on the Quality of Life Index (developed by M.D. Morris) is 16 out of 100.  Its metalinguistic habits have not yet been explored.  The tricolored blackbird is asexual and aromantic.  Specimens in aviaries reproduce by IVF.  In the wild, they rely heavily on social reproduction.  A recent government grant provided $1.2 million to tag 10,000 tricolored blackbirds.  The recipient is a major R1 institution with plans to attach electrodes to the blackbird’s brain and transliterate each caw into English with the long-term goal of constructing a Franco-English-Blackbird pidgin.  No one asked the tricolored blackbird what it thinks of being tagged.  Increasingly, they are found with BP oil slicked on their wings.  Poachers have been known to kill them for a single red feather from its wing. The blackbird is itself and nothing else.  But this one here is special, No. 07115.  The blackbird is itself, but we all need some ID.    

The Treachery of Rhyme

“Poetry is a survival.”  --Paul Valéry

“Poetry is a pipe.” -- Paul Éluard and André Breton

Ceci n’est pas une pipe.” -- René Magritte


Poetry is a pipe
and not a pipe
Poetry is music
or perhaps a polar bear

This is not a poem about a polar bear
It is a poem about a poem
and the bear too is a poem
a poem written by a bear
about a bear
a bear by and about a bear

the bear, a god, self-fertilizing
the bear, a bear, self-poetizing

Poetry is not a pipe
until it becomes a pipe
filled with stilted words
filled with lilting music
filled with walrus-tusk tobacco

the bear, a poem, self-ursinizing
the bear, Narcissus, self-mesmerizing
the bear, a pipe, self-smoking

The bear is a pipe
and not a pipe
The bear is opium
The bear is music

the bear, a rhyme, self-aestheticizing
the bear, a drug, self-anesthetizing

The poem is a bear
and not a bear

The poem is a pipe
and the smoke, a forest fire
a poem to burn down the world
The poem is a bear
wearing a ranger hat
who threatens to let you do it

the world, a pipe, self-playing
the world, a fire, self-immolating
the bear, a poem, self-saying
the bear, music, self-syncopating
the bear
self-conscious
self-prophesying
self-engendered
self-contained
self-referential
the bear rhymes itself with perfect rhythm
the bear rhymes itself with bear