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Author: Sandee Gertz

Reflections on Grief

When I first met Grief he was angry at me, and I at him. We screamed nonsense at each other for days, weeks, until my voice gave out. Then he began to claw at my chest and my eyes and my throat. He swallowed me whole and ripped me to pieces. My fingers were bloodied and my joints displaced. He was relentless, pointing and laughing and jeering, “GONE. GONE. GONE.” I ran from him, yet he always pursued. He terrorized my house, lurking in every corner. Corners that soon became untouched and dusty in an effort to avoid him. At some point, slowly and all at once I convinced him to grant me a bit of distance, just outside the walls.

He lingered outside, peering through the windows and beating on the doors and taunting me from the porch as I came and went. He became a wallflower. A terrible thing, but a terrible thing I knew. I almost never noticed the thumping on the walls or the shadow on the sidewalk. I did my best to ignore him and he was courteous enough to turn his taunts into whispers. One day I came home to him sitting on the porch swing, and he waved. He didn’t spit or yell or point or laugh. It was a short wave with the ghost of a smile, a shaving off an olive branch. Something possessed me to invite Grief in and offer him tea. There we sat, Grief and I, drinking jasmine green and peeling oranges in silence. There was an uncomfortable, unfamiliar kindness in his eyes.

So it began; the tea and the silence took the place of the screaming and the malice. Silent sitting turned into dusting off the corners of my home and my heart that Grief forced me to abandon. He helped me get boxes off the shelves I couldn’t reach and sort pictures into piles. He watched reverently as I read letters and hugged sweaters close to my chest. At my kitchen table I told Grief my name, and the names of the people who brought him to me, and he became my friend. He told me stories of all those he has tormented and befriended. Now he keeps me company often; we play blackjack and he lets me win. Sometimes he brings his brothers, Love and Rage, and we all sit together. I cry. They wait. I’d like to think they enjoy my presence as much as I’ve grown to enjoy theirs. Because somehow the same Grief that used to jeer and claw and rip and ruin now holds my hand. He takes too much milk and sugar in his tea and he cheats at cards; but he holds my hand and does not scoff at my tears. Grief is a better friend than enemy, and I’m glad I invited him in.

Sunsets and Stars

Water gently brushed the seashore before descending back into the vast ocean. The horizon endless as the blue matched perfectly, making the horizon seem practically extinct and the world an endless expansion. The only thing separating water and sky were the white fluffy clouds sneaking across the display as if they were never meant to appear. The brightest sun sang its goodbye as it traveled toward the horizon. The sky followed, seemingly melting itself to shades of orange and red. The clouds blushed at the display, joining in with their bright shades of pink. Blue, but a distant memory in the sky, remained in the calm ocean below as the symphony of colors swirled through the sky. As the sun becomes a sliver in the sky, the clouds split apart, darkening with the once vibrant display. Just as the sun vanishes beneath the horizon, a faint flash of green signals the end of light. The water creeps higher, most of the sand covered by the tide. As the sky darkens, small stars begin to splatter the sky with their elegance. Across from the sun, a beautiful crescent shaped moon began glimmering in the sky with its glory. The display remains through time, the sky’s masterpiece among a world of art and song.

Vietnamese Love Isn’t Loud

The first thing you need to know about me
is that I’m Vietnamese and in my house, love was never loud.

It didn’t echo down hallways.
It didn’t sound like “I’m proud of you.”
It didn’t look like hugs before school.

It sounded like oil popping in a pan at five in the morning.
It smelled like garlic and rice before the sun came up.
It looked like my mom already dressed for work while the rest
of the world was still asleep.

When I was younger, I didn’t understand that.

I remember standing outside my elementary school,
watching other moms kneel down to fix their kids’ jackets,
kissing their foreheads before they ran off to class.
I would adjust my own backpack straps and walk in quietly.

No hug.
No dramatic goodbye.
Just, “Have you eaten yet?” (in Vietnamese)

At the time, I thought something was missing.

Middle school made it worse. Sleepovers at friends’ houses
where their parents said “I love you” before bed. Family movie nights,
Instagram posts with matching Christmas pajamas
and long captions about “my whole world.”

I would scroll and think, why doesn’t my family look like that?

But social media never shows you the silence
after the camera stops recording.

What it didn’t show was my mom arriving in America
with two suitcases and broken English.
What it didn’t show was her working double shifts.
What it didn’t show was her sitting at the kitchen table late at night,
calculator in hand, whispering numbers under her breath.

My mom left Vietnam with no guarantee of success.
She left her parents. Her siblings. Everything familiar.

And I was upset about hugs.

That realization didn’t hit me all at once.
It hit me in small moments.

Like coming home one afternoon, dropping my backpack on the floor,
and smelling fried rice before I even turned the corner into the kitchen.
On the counter sat a cold bottle of Mogu Mogu my favorite.

No note.
No speech.
Just food.

She walked past me and said,
“I saw this at the store and thought you’d like it.”

And I just nodded.

Another morning, I was running late.
Hair half done. Shoes untied. Annoyed at everything.
She slid a plate toward me and said, “Eat first.”

I said, “I’m not hungry.”
She looked at me and said, “Eat.”

That was it.

No “because I love you.”
No long explanation.

Just rice. Just fruit cut into perfect slices.
Just a lunch packed anyway.

For years, I mistook quiet love for absence.
But Vietnamese love isn’t loud.

It’s practical.
It’s consistent.
It wakes up before you do.

It works overtime.
It buys you things it never had.
It asks, “Have you eaten?” instead of “How do you feel?”
Not because it doesn’t care,
but because feeding you is caring.

And one day, it clicked.
Love in my house was never missing.
It was just speaking a different language.

A language of sacrifice.
A language of survival.

A language that sounds like early alarms and grocery bags
and tired eyes that still stay up to wait for you to come home.

I stopped comparing my family to picture-perfect captions.

I started noticing details.

The way she always cuts fruit for me without asking.
The way she saves the better portion for my plate.
The way she never buys things for herself but insists I should.

That’s love.
Not loud.
But steady.

And maybe that’s even stronger.

Now, when she asks, “Have you eaten yet?”
I hear what she really means.

She means, “I care.”
She means, “I’m here.”
She means, “I love you.”

And I finally learned how to hear it.

So yes , the first thing you need to know about me
is that I’m Vietnamese.
And because of that, I learned something early:
Love doesn’t have to be loud to be real.
Sometimes it smells like garlic at five in the morning.
Sometimes it sounds like oil in a pan.
Sometimes it looks like sacrifice.

And now, my job is simple.
To work hard.
To go to college.
To become the best version of myself.

Because she gave me the best version of herself.

Mary’s Window

the six of us in a downpour
nighttime, late March
lantern remaining lit on the front steps
our guide, Eric, tells us of eight or more known séances
connecting to lost sons
seventeen years in this home—best of your life
laughs for hours in the kitchen and parlor
light on your five-foot-two silhouette
outline witnessed on a shade right of the door
I glance to find you
nearly 200 years after your prologue
forty minutes of tales we rid our umbrellas
questions, wows, tisks
no one else on these cobblestones
across South 8th Street a light flickers above the door
Blake and Victoria pose for a photograph
frightened from a thump in the living room
yet you do not show yourself
rather admire the children from a distance

Bearla

Part I

I find my understanding on the firmness
of the ground. Sometimes, my son and I sit
outside, overgrown grass kissing
our calves. It matters less then, everything else
matters less, I mean the brokenness of the brain
with all the pain or worry, because my body,
because I grew his body inside my body,
because I was the first to know him,
because I knew him sooner than I
thought it possible to know.
I woke up one morning, and just knew. There was pain
in my breasts. There was the heaviness pushing me
towards the earth. And I knew him. And I told him,
through the channels of our connected cells,
I know you. I love you.

I imagine he was created because he needed to be;
he appeared in my womb in a spark. He took the blood
and oxygen and water and made himself a body. He placed
himself between the synapses firing in my brain, and
modeled himself a spirit, in the shape of a boy;

he would tell me that he has ghost friends
who try to get him into mischief.

Go, I tell him. We are all the stars and the stars are us.
Trouble loves us all the same.

Sometimes, I know what he’s thinking
without him saying a word.

Part II

When my son was born, I sat alone in the hospital room,
the pain of aduantas worse than the pain from my incision;
they call it aduantas in Irish. In English, there is no one word,
no passable way to describe the unease of being
in an unfamiliar place with unfamiliar people.

We choose language even though it fails us over and over.
I’ve chosen to try to tell a story, when no words
could speak to the ache in my bones.
Listen: the wind tells it better.

In New York, I know the way time moves. The odd, warm,
February day that smells of spring. The rain every year
on my birthday in April. Sticky, hot summer afternoons
and leaves that beg, plead to fall.

Certain moments have carved out a permanent home
in my memory. March in the year 2002, I sat in a coffee shop
on Chambers Street, and I remember the
purplish red of the sunset at 7:00 pm.

And there are moments even now, I remember
that evening: my body, my book, the glare of light
against the window. It means something, and I will
never know the word to tell you what.

Part III

The wind tells it better. When you’re stuck in traffic
and the lane next to you is slowly moving, and you
see the individual pebbles jump and fall against the street.
When the rain falls and the ground accepts the offering.

At my grandfather’s funeral I cried quietly. I never spoke a word.
The last time he would see me, and I stood up to leave,
he grabbed my hand and wouldn’t let go.
The machines kept him from speaking.

But if he had spoken, I wouldn’t have remembered what he said.
I remember the feel of his hand in mine, his skin telling me, Goodbye,
I love you, I will see you again, but I wish it could be sooner.