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Author: Shelby Rogers

Mountains, Molehills

A pile of dirt dressed up in a mountain’s clothing 
A working man’s pile of rocks
but a ball and chain for the drowning man
a bucket of cement spilled across flowering dirt
but the girl is known for crying wolf
so a mountain has become a molehill

while the dogs come at the blow of whistle
tearing and biting at scraps of meat
slavering mouths that consume
the yellow pages of journalist notes
as a foremen brings the hammer down

the coal burns hotter than any other fuel
but oil is expensive these days
worth more than the average dollar
now that’s a molehill mountain
dressed in expensive leather for the fire

a working man’s pile of coal
the color of lungs is worth
the switch from red to black
more money for the non-worker
whose check balances with zeros lined in gold
this mountains nothing more than a molehill
pick yourself up by your bootstraps

 

John Lennon at the Old Marquette Inn

Last night he was talking to Federico Fellini
in the bar on chili night, who told him “I’m not afraid
anymore of telling the truth.” John Lennon was celebrating
his 84th birthday, as if the years no longer mattered.
He wanted his whiskey. Like Jim Harrison, I said,
who wasn’t actually dead like everyone else.
His poems scared all the birds from his head.
“Fear makes for good servants.”

His body spun on his stool and the Liverpool boy
talked about Lake Superior singing outside.
Angry waves exploded in his chords
on a Gibson he had left out all night in my car.
It had an ugly sound that suited his darker edge.
His wire-rims were replaced by designer shades now,
all his shirts made in Rome. He cursed when his tie
dove into a chili bowl and stained his Piero Gherardi suit.

When Fellini had told Lennon about his wife in bed
his eyes opened wide, ready for outer space.
John slept alone with the television on.
Some nights he asked me to join him. We read
Harrison’s poetry of birds and rivulets
flowing between a woman’s legs
in her walk through Mulligan Creek.

John Lennon suddenly splashed on some trousers
and explained he was going to knock on Fellini’s door.
The Beatle standing alone on the fourth floor
would catch my nineteen-year-old girl walking to the bathroom.
She would smile at him just when we happened to see
Jim Harrison with his manual typewriter
telling us he was going to write a novel on the hotel roof.
The ingredients were the stars, he told Lennon,
as if he wanted one more song from him
to sing of a woman’s body bathing in a stream.

Raise Every Voice, Except Not You, Fat Boy, You Stink

Start in G, she said
standing before us on a plywood pedestal
no, that was a lectern, us on plywood
steps, no those are called risers &
choir practice has begun.
How do I stand?
May I jam my hands into my hungry pockets
of worry, of embarrassment, of yet
another class to kill the time from
seven-thirty to eighteen years of age?
Deep breath, she says. Deep.
All boys here, unlucky you &
wait for someone else to lead
because I don’t know the song &
I don’t know how to diaphragm
breathe, how to rise to my pre-
pubescent range only boys have &
no, I don’t know, have no idea
where G is.

Not From Nottingham

On one side of the tracks
you sense the change of scenery:
the bones of branches, then the buds,
then the tents of summer green.
Not so on the other side. There the
chainmail bares its dull, metallic ribs
on the chest of its coarse and hoary hills.
You wake up on a train table among
a pride of purring Lionels.
You turn the dial on the transformer
until the conductor jumps onto the sleepers
with a megaphone to warn the world
that he is NOT from Nottingham.
He effs and blinds to the Plasticville walls,
and drops his darts
on tracks between windmill
and interchange
before shuffling off in a huff

Derealization

I’m slipping on soap
in a vision’s shower.


The tiles look teary
through the steam.


Water rises ankle deep.
Sink and mirror disappear.


Snow is falling on the TV.
Fires are raging in L.A.


Now the kettle wakes
and whistles


just in time
for tea.

Used Bike

Rust spots stain
my faded chrome.


My handlebars
veer left.


Gears that slip
and brakes that stick.


A seat that wobbles
riderless.


A few loose spokes.
Both tires worn.


One peddle
sniffing dirt