The woman’s body moves through the kitchen, calls others wordlessly to dinner, like the boy daydreaming by the brown pond, with dusk coming on, examining a tiny leaf as if he’s grasping the whole tree, and the little girl running through the field before darkness snatches the ground out from under her and the older boy rubbing the fine long head of his mule, his face full of farm smudges and the farmer himself, dragging his body home like an old wagon, while the boy makes a sudden grab for a frog with his net and the girl bursts through the gate as the older boy considers all that will be his some day though at night, he knows. it belongs to the moon and stars and she stares out the window at her flock coming together in the last cringe of daylight, praying one doesn’t bring a frog home and a second doesn’t fall and bruise her knee and a third is sure that the life laid out for him is really the one he wants and a fourth who knows nothing but the land, who may as well have been found one day in its rich, vital soil like Moses in the bulrushes than born in some hospital, who’s seldom seen without some implement in his hand or in the saddle of a tractor, for this is her canvas and she has nothing else to compare it to, and yet, in the sinking sun, it still rivets her attention, in her weathered heart, it bears up all needs, and her mind, that soundless bell tolls this family back to her, in these relentless darker shades of day.
John Grey is an Australian poet, US resident, recently published in New World Writing, City Brink and Tenth Muse. Latest books, “Subject Matters”,” Between Two Fires” and “Covert” are available through Amazon. Work upcoming in Hawaii Pacific Review, Amazing Stories and Cantos.