Bryn Gribben
Bryn Gribben is a poet and essayist who left academia to write and explore antiques. Her essay “Cabin” was nominated for a 2019 Pushcart Prize, and she was a finalist both for the 2021 Creative Nonfiction Porch Prize and the Peseroff Prize in poetry. Bryn’s first book, a musical memoir, Amplified Heart: An Emotional Discography, was published by Otherwords Press in 2022. She lives in Seattle with two cats and a love song of a husband.
Kansas Summer, Airplane Hangar, 1990
Those were the longest nights of summer—
the small-town airplane hanger
used only for two-props spraying poison over
corn and wheat and us until November.
A new pilot, eighteen-year-old learner’s permit,
he sailed endless Kansas sky, much farther
than the fields barren of timber:
unclouded eyes and thoughtless, an explorer.
At sixteen, I’d never been kissed, his neighbor,
then I dissolved under his hands, darkness no longer
as our mouths crimped together like pie crusts in the larder.
Paula Abdul sang “I Need You,” and I wanted no other.
Too young to date, I asked permission of my mother,
who loved him because of my dead brother,
born a week apart from him and us in October.
His mother, weeping, walked the ER corridor to see her.
We’d fly over the fields, through the ether.
What youthful evening could be finer?
Our small lives filled fully, kernels of grain: our hunger
for more life beyond this and one another.
We’d land, then lie in his Dodge Caravan, naked upon the leather,
mapping our fragile ankles, spines, and necks with tender
kisses and the hands so grasping but still lighter
than the air, the plane, the summer.
He left in fall for college to become a preacher.
I write him a long, then longer letter.
I wait until October, crying harder.
I drive out once to the hangar. Nothing hovers.
Not Even a Wrist of Flesh and Bone
The girl got him a bracelet
for his right arm, already holding
twelve bangles of silver and of gold.
He never wore it, said, instead,
each circle had to come to him
by chance:
the Middle Eastern deli counter man
who’d given him the middle one,
the New York psychic—grabbed his arm
and told him to beware.
They couldn’t just be gifts, what with
their implications of enclosure, continuation.
And so, the brass loop was stashed in his backpack,
the same one he would drop first on her floor.
She never saw what else might be inside
but wondered if, like the circle,
known by many as a magical space,
it held nothing in its center
but air.