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Melody Wilson

Melody Wilson’s poems appear in Catamaran, Watershed, VerseDaily, West Trade Review, Emerson Review, Crab Creek Review, and elsewhere and her manuscript Madre Dura was a finalist for the Catamaran Prize and the Louisville Review National Poetry Prize. She received her MFA from Pacific University. Find more of her work at melodywilson.com.
I bought this car to prove I could
and now, as I wait to turn left
a man exits the Quik-Stop,

black sweats sagging, pantlegs
shirred halfway up his narrow calves.
He’s probably my age, maybe even

a one-time middle-school messiah.
He slouches down the sidewalk,
knees hinging like a marionette

as if in time to Grace Slick,
who’s up so loud the ragtop throbs.
He gestures toward traffic with a tall-boy

then folds to the curb. How I envy him.
My tongue swells as the cold slides
down his throat, jaw slackening,

the world easing up a little.
My sister drank the same brand
when her check ran thin.

The last time I saw her
she drove up to the house, window down.
Come on, she said. It hadn’t been long

since I couldn’t say no, veins drawn tight
brain to toes—so I went inside.
I wish she was here. She’d settle down

on the curb beside him, light a cigarette,
put her hand out for his beer.
And he would give it to her,

the joke passing between their eyes—
me still in my lane
mouthing the words to the song,

you better find somebody to love.

Newspaper crumpling, my sister
sops up vinegar from a bowl,
the window squeaking as she scrubs
at its watery promise.

She’s taller than me, even on her knees,
hair back, jaw set as her hand
circles then dips, circles then dips,
stops. Even I can see she’s distracted

from the messy house by sunlight
sliding through glass in long angular plates
as if life is about to bloom.
The ice in our mother’s glass shifts

and my sister’s braid sways,
her slender arm returns
to circling. I have no idea
who I will be without her.