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Author: Sandee Gertz

The Shape of You

In our year of iPhone 16, Vinny feels his phone pulsing in the back pocket of his shorts the second he squats in front of his golf ball and examines the green. He knows of the green’s subtle deception, how it appears as a simple straight shot. It won’t fool him this time. Above, heavy clouds hang still in the sunset like fiery leviathans. He shrugs the pressure off his delicate shoulders and raises his hat to wipe the sweat from his hollow haggard face. There’s time for another workout if he finishes quickly, if he ignores the constant throb of pain in his muscles.

It’s his father who’s calling him. He stands and places his putter behind the ball when his phone stops. From a distance, maybe all the way back at the tee box, his spindly limbs are another set of golf clubs sticking out of his shorts and shirt. He is a scarecrow on the golf course. His shadow slants and stretches behind him, almost reaching the sand-trap, expanding twice his height, a long insect flattened by one of the clouds. Yes, he will stop at the gym before it closes.

The hole of the green peers back at him. His putter taps the ball so lightly he barely feels the shot. He follows the ball’s slow arc toward the hole. His phone vibrates again. The ball lands in the hole with a satisfying clatter.

At the gym, Vinny flexes his triceps in the mirror and takes a picture of himself with his phone. He zooms in on his arms and shoulders, deletes the photo, and takes another one flexing harder. Studying the image, he concludes he feels nothing like forty, and he looks younger than thirty, as if he’s reversed ageing. His face hides behind the phone in his hands. He opens an app and uploads the image to a post and types about his third visit to the gym. Earlier, he posted a picture of the sunset on the golf course. He refreshes to check the likes and finds his father has commented on the sunset.

         Beautifall sunset! Lets get out there soon. Love you son.

It’s the only comment on the post. Embarrassed, Vinny scrolls and skims down the unending main thread of media. Pictures pop up with every scroll. Videos play and replay without his consent. Continuous loops of men and women demonstrate proper form, offer workout tips, share advice on health and fitness. They speak casually and confidently, and they treat their followers like friends, it’s all about feeling good and being active, it’s about connection, community, goals, the best version of you. They are exquisite and profound, their bodies sculpted to perfect beauty. Beautiful, impossibly beautiful.

Vinny works as a trainer for the gym, too, but his supervisor has “noticed things” about him that were “concerning” to her. She suggested he take some time off, with pay, while she covered his classes and personal sessions. Time off from anything fills Vinny with dread. He struggles to sit still. He fails to loosen up and let go. He can’t just do nothing. It feels so blank to him.

After a while of scrolling, his mind, so filled with tips on exercise and reels of perfection, aches and swells, his thoughts weighted down with a fresh new bulk of content. He places a dumbbell behind his neck and raises the weight over his head twelve times. After two sets, his muscles burn so much he can barely move his arms. It feels good to him. He looks better now. Before leaving the gym, he takes another picture in the mirror, applies a filter, and uploads a new photo.

He finds two new text messages when he steps out of the shower and taps his phone.

         His brother Dominic: I don’t know how much longer I can take this.

         His mother: What do you think about Dominic moving in with you for a bit?

He starts a reply, but then closes his phone and looks to the mirror. Steam covers the glass, dampens the counter. He can’t see his image until he wipes his hand across the mirror and erases the murk. Only his bare torso appears, floating in a clear space, his head and legs still hidden beneath the mist. He examines with his fingers, pinching flabs of clean skin, turning one way, sucking in his stomach. The steam recovers and fills the empty space in the glass. He finally steps out of the bathroom when he can no longer see himself.

As he dresses in the cold air of his bedroom, he thinks of Lindsey.

Vinny’s life took on a new shape in the middle of the covid lockdown four years ago. He was going through the storage room of the basement when he found an old bench press he had taken from his parents’ house some years ago after he had moved in with Lindsey. After cleaning off the dust and buying a set of weights, he was soon pumping iron over his chest, curling the barbell in front of a mirror. A workout in the basement was a resurrection from the lockdown. Exercise filled his day and set goals. It saved him from all the fear, all the updates of more death, it delivered him from the repetitive isolation he shared with Lindsey.

Lindsey valued time and things for herself. A person couldn’t live if they had nothing to call their own. Ever since they met, parts of her day had been separated from him and set aside strictly for herself. Most of her mornings were spent reading a book in candlelight. Any errand led to some of kind wandering through town—he rarely tagged along with her. She took long walks and left him alone in the house looking out windows and hoping to find her silhouette in the dusk of evening. He respected her alone-time, he knew what it had meant to her, but he became so tangled in his lonely envy that he had grown suspicious.

Where did she go? Why did she have to go out by herself all the time? What was she doing? Was she with someone else? Was it him—did he embarrass her? He would stand in front of a mirror and lean close to the glass as if he might find the answer somewhere in the imperfections of his image—blemishes on his chin, the undefined muscles, the lack of independence in his eyes. What was it? Unable to sit still, unable to free his thoughts of Lindsey, he found himself on the bench press in the basement, pushing a barbell up and down in a violent steam, pushing Lindsey farther away from him.

Despite the growing gulf between them, they remained together in the house for another year—side by side in the bathroom, facing each other across the dinner table—carrying out roles in some strange act of sexless, loveless cohabiting. They might’ve made it to marriage, they might’ve conceived a child, but Vinny began skipping meals and losing weight, and anytime Lindsey said he needed help, he’d retreat to the basement or the gym.

It has been three years since they broke up. Sometimes, when he is dressing in front of the mirror, he pauses and closes his eyes. His image appears out of the black nothing of his head. He sees his form, what he likes to call the shape of you. It burns like a gray beacon through the deep night behind his shut eyes. This shape of light nears his eyes and fills him, pouring through the inner spaces of hunger, and he can’t open his eyes, he can’t face the real shape in the mirror.        

The last of the day cuts across the bottom of the black sky like a smeared strip of lipstick. Vinny sits in the car and imagines the lips of the light caressing the shaved, showered skin of his face, the hands of the light touching the ridges of his shoulders. It fills him enough to forget about dinner again. His breath quickens and his blood rushes down his empty stomach in a roused heat. In the mirror, his dark sweptback head shines with gel. He wears a fresh pair of jeans and a brilliant white V-neck. Silver watch, silver necklace, silver crucifix. Almost perfect, he thinks, almost complete.  

He gets out of the car and walks through the parking lot. His reflection appears in car windows as he approaches the front door. A quick glimpse of Vinny might fool you. His arms and legs show off solid, defined carves of muscle. He keeps a gait of grace in his walk, stepping and moving with supreme agility, athletically sound, in good condition. The alacrity on his thin face never subsides. There is a booming liveliness in his eyes, there is a triggered expectancy in his voice. Everything inside of him seems loaded and ready to pull the trigger on what’s in front of his face.

A solid crowd fills the strip club for a Tuesday night, but the men sit still and calm, subdued in the soft strawberry glow of the lights. The slow deep throb of music sets everyone in a hushed daze. On stage, a woman gently swings around the pole, then fully stretches her legs and arms out on both sides, hanging motionless, red hair touching the floor. He can feel the brush of her hair on his face and smell the fruit of her shampoo. It smells of strawberry. All the light in the room comes from her hair. She looks so unreal, so perfect, to him he stops, unmoving and speechless, and waits for her to move again when the song ends. In the far back, dancers sway and grind over customers sitting in the dark edges beyond the glow. After she leaves the stage, he orders a drink at the bar and finds an empty seat and looks for her.

It has been a long time since Vinny has had any intimate contact. He lost a part of himself after Lindsey. They spent years together, college and most of their twenties, and they had spoken of marriage and children, and he had envisioned their future selves going to soccer games and packing lunches for school, cleaning up after dinner, a little television before bed. It had been such a plain and dull dream, nothing extraordinary, but he respected the simplicity of it, he looked forward to a future of routine and certainty, comforted by the fate of everyday things among him and his family.

This is not the future he expected. Sitting in the chair, waiting for the red haired girl, he feels as if someone else has put on his clothes for him and dragged him here to this cool strange dark. Woman pass and offer a dance, another drink. He replies with a tight smile, a flimsy hand. One of them doesn’t know what this means. Her nails tap his arm, a kind of motherly touch. She tells him she’s around, and if there’s anything he needs, anything at all, just flag her down, honey.

“Where’s little Mike?” Michael, his father, looks around the dinner table, then turns to his brother Dominic. “Where’s Ava?”

         “We’re…” Dominic starts, but shakes his head and laughs. He has repeated too many times about he and Ava splitting up. None of them use the word divorce. “They couldn’t come tonight, Dad.”

         “Why not?”

         “Eat your steak,” his mother Claire says as if his father is a little boy.

His father forgets how to use a knife. He digs the side of his fork into the great hunk of steak, stabbing and struggling. He forgets to shave and turn off the stove, he forgets he puts the toothpaste and shampoo in the refrigerator. The time of day eludes him so much he leaves voicemails at three and four at night about planning a golf trip with his brother Dominic. He forgets Dominic is in the middle of a divorce. He forgets his car keys are hidden because of all the times he has left the house and wandered off, gone missing in the car, then on his feet. Sometimes, he forgets Vinny’s name, forgets he is his eldest son, his firstborn, the one who takes him golfing.

Vinny pretends not to notice when his mother leans over, fork and knife in hands, and tries to cut the meat on his father’s plate. Dominic shovels a heap of mashed potatoes toward his face. The sloppy slap of the food in his brother’s working mouth makes Vinny sick. He has taken small bites here and there, but his food is mostly untouched. He can’t eat anymore.

         “You need to cut it,” Claire says.

         “I’m fine,” Michael replies. He pushes her hands away. “I know.”

He sticks in the fork and flips the steak upside down and bites like a wolf. The steak hangs in front of his father’s face, then falls back to the plate with the fork still stuck in the top. Claire creeps her silverware closer to Michael’s plate. Dominic pauses with a glob of potatoes on his fork, laughing. His father, catching the smile on Dominic’s face, begins to laugh as he picks up the meat. The two of them stifle giggles at the dinner table like mischievous teenagers.

         “This’ll be good,” Dominic says to Vinny.

         “Let me get it for you.”

         “I don’t need your help,” Michael says.

         “Yeah, you’re good, right?” Dominic says.

Dominic and Michael keep laughing at each other. Claire puts her knife down and places her palm on his arm when he uses the knife with his wrong hand.

         “Just let it go tonight,” Vinny says to Claire.  

         She gives up.

         “Your right hand, Dad,” Dominic says, but Michael keeps using the same hand. “Your other right.”

         “I know,” Michael replies, then switches the fork and knife.

         “See?” Claire says to Vinny. “He won’t listen to me. He’s not the same anymore.”

         “I’m sorry,” Vinny says.

         “For what?” Claire asks.

         “For him.” Vinny’s fork clatters on his plate. He expects the sound to silence Dominic and Michael but they go on laughing as if this night, this house, this family has become one big joke. “For everything. It’s not fair you have to stay here and take this all day.” Vinny watches his father kid around with his brother. Michael asks about Ava again, about his grandson little Mike. “And you’re right—he’s a completely different person.”

         “You guys talk like he’s not even here,” Dominic says, his voice loud, all the humor gone from his face.

His father replies with an indignant yeah even though he is clueless. He stands out of his chair. A tall broad man, fit and athletic, with a full head of dark hair, he looks nowhere close to seventy, he looks fully capable of cutting his own steak.

         “Fuck all this,” Michael screams, walking away. “Fuck all this and fuck you.”

They watch him escape to the basement, then hear the record player blasting an Eagles album. Dominic shakes his head and laughs again.

         “It’s not funny,” Vinny says.

         “You have to laugh at some of this,” Dominic says. He gets up and gestures at the fork stabbed in the steak. “It’s so crazy you have to laugh.”

Dominic descends into the basement and the music soon falls to a soft, quiet volume.

Claire looks at his food.

         “You’ve barely eaten anything.”

         “It’s good. I’m just not that hungry.”

         “Are you watching your weight or something? You didn’t eat much last time either. You’ve been looking a little thin.”

         “Too thin?”

         He stands with her and gathers the dishes and helps clean up.

         “No, no,” Claire replies quickly, “You look great. It’s more a me thing right now. I just can’t stop worrying about everyone all the time. Any time I try to say something no one hears me.”

Claire stops putting the leftovers in Tupperware. Her hands rest on a lid and her eyes close. She lets out a long breath. It’s a common sound out of her. In many ways, his connection to her is stronger than the ones he keeps with his brother and father. They often share these private moments together, like now in the kitchen, when one of them needs to be heard. He can remember other times, when he was younger, how freely he could speak to her about things. No one else could match the patient trust he had found in her eyes, and he knew that whatever he might tell her she’d reserve her judgment, because he had always been the one to share with her. As of late, Vinny has kept his guard around her, afraid of what he might reveal, of how he would look. An empty space grows between them and silences their talk. He fears it will keep growing, swallowing these moments.

Vinny takes his hands out of the warm dishwater. He sees the slimness of his wrists and the fine cut of his arms. He likes how quickly she said You look great. He replays her words in his head and looks at her.

         “I hear you,” he says, hands in the water, back to work.

In his home at night, he sits on his bed and faces the crucifix on the wall of his room and recites his prayers in the soft glow of lamplight. His necklace rests across his folded hands. He makes sure the tiny silver cross is facing the crucifix before he closes his eyes and begins about his family, his time on the golf course and at the gym, his regret for going to the strip club, his interest in Chelsea, the dancer he met last night.

His prayers return to his family. It’s like he can hold them there in the enclosed center of his palms, but soon they slip through and fall into separate pieces that he can’t put back together correctly, like the words his father misspells and the things he confuses. It all stems from his father’s dementia, he believes, but he doesn’t ask God why or how, he just wants to be strong. Weak, lame, he cannot hold them on his own, he is not strong enough no matter how much he loves each one. He is nothing without them.

When he is finished, he places his necklace on the nightstand because he cannot put it back on again until he prays in the morning before work. His phone sits under the lamp. He knows he shouldn’t pick it up before bed, but he is soon lying on top of the covers with the bright screen of his phone over his face, scrolling scrolling scrolling. He stops on one picture: a woman in tight workout clothes straddles a bench in a gym, arched back, a finger on her parted lips, a hand on the inside of her thigh. Vinny holds the image with his thumb, and she moves up and down, riding the bench, hair thrown back.

The image has nothing do with exercise or health. It’s simply there to catch his eye and arouse him. He doesn’t know how something like this appears on his feed—maybe because someone somehow tracked his visit to the strip club? But he can’t stop pressing his thumb, he can’t move on to the next post. His phone shines close to his face. His hand slides down his waist, between his legs. An eager shame flares through him, whipping uncontrollably. It is so strong and sudden he finishes before he can touch anything. He breathes with terrible alarm and shock. The hard blue-white glare of his phone hurts his eyes. He turns off the screen and flinches when he finds a skeleton reflected in the blank black of his phone.

Weeks suddenly quicken. Days rip away in hurried blurs. The light of the afternoon darkens by the time he is home from the gym. A thick air of tomato sauce greets him inside his house. Sickness rises through his throat. He turns his face back to the cold dark of early November for a whiff of fresh air and considers getting back in his car. Dominic is calling his name from the kitchen.

         “There’s hardly anything to eat around here,” Dominic says. A pot of boiling water rumbles behind the sauce. “So I decided to make some sauce and spaghetti.” He stirs the sauce with a wooden spoon and scoops up a bloody steaming blob. Nodding, smacking his lips after his taste-test, he offers Vinny a try. “Not that bad for a first timer.”

Vinny says he’s not hungry. He feels his brother’s eyes on him, but he refuses to meet his gaze. His mother used to say how much Dominic had looked up to him when they were younger. He promised to watch over him when they were on the bus. He made sure he gave Dominic a hug before and after the school day. Only five years apart, Vinny would let Dominic hang around him and his friends even if the things his brother did or said sometimes embarrassed him. His mother’s words echo in his head: He looks up to you. He wonders if that is still true. A hole opens up in him.

         “You’re not telling me something,” Dominic says now.

It’s Tuesday night and he needs to get ready for Chelsea. It has been three weeks since his last time there. His brother is always home, and he doesn’t want him finding out where he goes on Tuesdays, or sometimes on Saturdays or Thursdays, he doesn’t want anyone knowing he has memorized Chelsea’s schedule at the club. Once, a week before Dominic moved in, he parked his car at a gas station across the street and followed her to a small apartment complex late in the night. The light of a television flickered in the window on the first floor. A high school boy stood up from the couch, her son, and greeted her at the door. Sometimes, he wonders if she thinks about him, if she expects to see him, if she feels the same as he feels, if he can be a father to her son. He can’t miss another Tuesday.

         “I have a better idea,” Vinny says, then the name of the club comes out of his mouth, soft and strange, as if it’s a new bad word. The idea of going to a strip club with his brother brings on a ringing in his ears. His stomach drops when his bony fist lands a brotherly punch into Dominic’s arm.

         “Alright,” Dominic replies, laughing. “Fuck it, alright! Let’s see some whores.”

A kaleidoscopic storm of lights twist and turn across the walls and floor. Vinny feels the energy the second he steps inside and leads the way for his brother. He has never seen the club so amped and charged. Drunk men holler and laugh, standing up from their seats and leaning over the floor with their hands full of cash. Dollar bills flutter through the lights like crinkled moths. The dancers on the floor and in the chairs move in a quick violent rhythm to the bumping seizures of EDM music, hair whipping, hips rolling. All the tiny dots of light go white and flicker everywhere like bright bugs. Everyone is lit with electric pulse.

         “This place is crazy right now,” Dominic shouts in his ear.

         “It’s usually not like this,” Vinny shouts back.

         “How would you know?”

         “I mean it never looks this busy on the outside.”

They find seats in the center of the chaos and watch the women on stage. Dominic orders a round of beers. They clink the tops of their bottles. Vinny feels his brother’s hand on his shoulder. Dominic bites the bottom of his lips and grins at the stage. His teeth are very large and clean when the lights turn white again. It is a face that burns Vinny’s eyes, an afterimage that will float through his sleep. He regrets bringing Dominic here. He searches for Chelsea, but he doesn’t see her, and just as he is about to get up, he feels a hard hand clamp down on his shoulder.

         “You need to go.”

It’s one of the bouncers. He wears a black t-shirt that’s too small for his arms and chest. Chelsea stands beside the man and holds her phone in front of her face. Vinny realizes she’s taking a picture of him. She puts down her phone and begins gesturing to another bouncer by the bar. Women in the back section of the club have slowed their dancing, some completely frozen. The men sitting in the front row have turned to watch.

         “What’s going on?” Dominic says.

         “Now,” the bouncer says.

         “We just got here,” Dominic replies. “We’re not doing anything.”

         “Get the fuck out!” Chelsea screams at Vinny, waving her arms.

More bouncers rush to the table.

Dominic stands up before Vinny can speak. He can’t move or hear his brother shouting over the music. He can’t see the other men nearby smiling and laughing. He feels nothing when his finger touches the outline of the crucifix beneath his shirt. As if everything has shut down, a switch flipped off, Vinny loses sense of the pounding music under his shoes and the blinding lights cutting through the dark.

Nothing works, nothing clicks. Then his brother is picked up by another man, and everything turns on, the music and the lights, the air of perfume and alcohol. The bouncer lifts Domnic high into the lights and slams him down on the floor. Vinny watches. Chelsea shouts behind another woman and holds her phone over her face. Another bouncer grabs Vinny by the collar and directs him to his brother. He hears his brother’s breath against the floor, short and high, constricted. Dominic holds his side and groans. They will learn his ribs are bruised but not broken. They will never tell their parents. They might laugh about it years later, but Vinny will have dreams of Chelsea, he will wake with a racing heart, alone in his bed. The bouncers and dancers keep screaming at Vinny to get him up, to get the fuck out of here now. Even after he pulls his brother off the floor and helps him out of the club, he watches, he hears, but he is still outside of himself, half-there.

“There’s something in the sand trap,” Vinny says after teeing off.

His ball drops and bounces on the green circle in front of the trap. He admires the tiny speck of his ball, his best shot of the day, and then turns to whatever rises out of the sand, dark and round, not a rock because the shape of the thing seems soft and fragile, but it’s too far away for him to tell exactly what lies there in the circle of sand below the green.

         “What is it?” he says.

It’s the last day before the course closes for winter. The horizon has hardened with long deep marks of darkening grays. A cold rain will come tonight. It seems they are the only souls on the back nine. They walk down the flat fairway and make guesses on what’s lying in the sand trap. Their voices barely break the density of silence.

         “Oh my God,” Michael says when they are close enough to see.

The doe is still breathing. She lies on her side and struggles for air, her wide nose dusted with sand. Nothing looks wrong about her. No blood soils the sands, no broken bone. Michael kneels down in the sand and wonders if she’d been clipped by a car, that some kind of internal bleeding was killing her. Like the course, she lies in almost perfect stillness beneath the iron sky. Vinny sees the frame of her ribs with each desperate intake of air. She is on her final breaths. Her large black eye reflects the gray heaven. He wants to place his hand on her stomach, to see her eye close and to let her fall silent in the stillness.

They walk up to the green and find their balls. His father stands before his ball and aims for the hole, but he can’t move or shoot. The doe breathes against the sand, whimpers with death. There is no other sound.

         “We can’t leave her here,” Michael says, shaking his head. He picks up his ball and slips it inside a pocket of his pants. “Not like this.”

They turn back to the doe and look down from the green and wait for her to die in the sand below their feet. Michael pokes her leg with a golf club to make sure she is dead. He points to the scrap of woods between the road and the course. He tells Vinny they can place her there so she’s not out in the open like this for others to see and then they can let the club know about her. He figures they can just take her by the legs and drag her into the trees, shouldn’t be too hard for them.

         “Come on, son,” Michael says.  

The deer looks small and thin, delicate, but dragging her across the rough of the course takes a long time. The death of her weight is heavy and hard to handle. She must’ve been a strong runner. The muscles in her legs twitch and then harden in his hands. He sees her bounding through trees and fields in predawn mornings. Dragging her hurts his back and arms, and he gets sick when he sees her dead eyes and feels the bone of her legs in his hands. They stop for three breaks to catch their breath. They make their way into the woods and find a spot for her under the trees.

His father bows his head but doesn’t say anything, and Vinny, standing beside him, finds the dead eye of the doe again. He wants to close the eye but he can’t move. The shape of her is beautiful. He thinks of the dancers at the club. He thinks of Chelsea suffused in a cherry light. Everything is a piece of beauty, and he is a piece of beauty, too. It’s not so easy for him to believe it. It’s not so easy for him to be beautiful, to be strong in his skin, in his shape. There is more he can do and more he can be. Beautiful, strong, he can be the doe, he can be her. He prays she gets up from the ground and shakes her head, bones cracking, tendons flexed. She stands tall and proud. Like the sky, she emits a cloudy glow of gray, a substance beyond the body, a quality of soul. She walks past him and his father, steps soundlessly through the woods, and leaps away with perfect grace.

Cultural Capital

The house looked to be made of stone, but I knew it wasn’t. The whole place had a medieval vibe: faux-lime veneers, wrought-iron crest suspended above an arched door with strap hinges, marble planters loaded with annuals in imperial tones. A line of austere shrubs lined the carefully mulched front walk.

Ugh, Republicans.

They even had an American flag.

I hated rich people.

Be bighearted. Every time, I had to say it to myself. Be good.

I rang the doorbell.

But I had no heart. I wasn’t good.

Stop it,I scolded. You need this. Think of the children.

I heard footsteps approaching from within. That didn’t mean anything. Whoever was inside, a phantom, a shut-in, a hater, they might make it to the peephole, and—struck dumb by my paint-flecked workwear and asymmetrical haircut—judge me unworthy of entry, of acknowledgment, of the most basic and perfunctory courtesy, might ignore, turn away, recede back into the depths without a word.

Just to be rude, I pressed again on the buzzer, hard and long this time.

I hated rich people. The way you had to show up at their doors, in person, and beseech them in your most supplicating voice to fund the public good. I mean, I hated everybody. I hated everything. But rich people, I hated most. Tara, my work wife and the only other employee at Oneonta Arts, said that was the perimenopause, but she was wrong. This was just the way I was. I’d always been like this.

The door swung back.  

“Geneva?”

I gasped. I don’t know why. I didn’t know this woman. Or, I mean, I did know her; I had known her once, but I couldn’t place her. Hair voluminous, blonde of cream, of candy. Figure like Jessica Rabbit at the office. But she wasn’t dressed like Mrs. Rabbit, no. She was dressed like a business executive who was also a trad wife, the fluffy little sleeves on her poplin dress crumpling under her crisp, tailored blazer.

Jesus, these Republicans.

This woman. I knew her. What was her name?

“Oh my god,” I said, stalling. “It’s been so long!” Safest thing to say. Time was relative, after all—a week or a decade, it all depended.

She placed a hand on my arm. The gesture was so intimate it shocked me. Her palm was supple and chill. Expensive. I wanted to see her collection of lotions, arranged as they would doubtless be on a mirror tray set in the center of the double vanity at the very heart of this conservative stronghold.

“Come in,” she said. “Come in.”

“Amber,” I said, my sense of wonder borderline childlike. Yes. That was it. This was Amber. From high school. It was all coming back to me.

“It’s been forever, hasn’t it?” she laughed.

Not that we had some big past. We were in Biology together freshman year. And maybe, later, Painting II? A lot of garish hues, brushy clouds? Or maybe that had been what’s her name—Andrea? Abby?—who was dead now, car accident?

“Please,” Amber said, leading me inside and down a corridor to a room painted from trim to crown molding in the richest navy. Was the ceiling black?

Amber gestured magnanimously toward an antique settee upholstered in golden horsehair. I sat tentatively on its edge. The surface was weirdly rough, like a blanket covered in peach fuzz. I wasn’t sure where to put my hands. Crossed at the knee? Too demure. Braced at my sides? Damn, too itchy.

Amber was pouring dark liquid from a crystal decanter into a pair of rocks glasses. Wow. It was the middle of the day. And we weren’t even old friends. Not technically. I remembered her largely as someone from whom I’d now and again bummed a cigarette, one of those girls who smoked down by the creek. She was always yelling at her boyfriend or reapplying foundation without a mirror.

“Do you like bourbon?” she asked.

I shrugged. Of course I did. Everyone liked bourbon. But I didn’t want to give her the satisfaction. Not until I understood her agenda. She seemed so happy to see me. Too happy.

“You’ll like this,” she said, over-confident.

It was weird to discover that Amber had ended up rich. I don’t think anybody would have predicted it. Senior year, Beth and Todd won Most Likely to Succeed. I don’t think Amber even made the superlatives list. Now, here she was, resting a hand slicked at the tips with fresh polish on a vintage organ she kept in her recently renovated home whiskey lounge and offering me a generous pour of some complex and precious distillation.

I took a sip and fought to keep the deep and genuine pleasure from brightening my face. I remembered from the one English course I had to take in college that every person was also the idea of a person. Amber’s idea startled and awed me. Imagine living as if everything you consumed had to be the very best version of itself.

Amber stared at me, expectant. When I said nothing, did nothing, willing myself a stone, a shell, a tree falling alone in the forest, she looked hurt.

The best bourbon. The best glassware. The best enormous ice spheres. What Amber thought a person was had the resources, the time to do the research, to taste and evaluate, to source everything. Amber probably had the world’s best maxi pads stashed away somewhere in her bathroom. I needed to see them, to understand what that category’s superlative looked like.

“Geneva—” she said, as if she were about to ask me something disturbing, insolent.  

My entire body tensed.

Amber wouldn’t sit down, she was hovering above me. The pressure was building to her brow, gathering with great effort what Botox had smoothed. Her eyes were big and wild.

I took another sip of the whiskey.

“What have you been up to?” Amber asked at last. This couldn’t have been it, what she’d wanted to say. But she went on, “I heard you were at Yale?”

“Oh my god,” I said again. Millennial women always had this little phrase to fall back on. Across class, politics, region, faith, it united us, it calmed us. “That was like a million years ago.”

There had been a time when I would have loved nothing more than to discourse upon my years (too many? too few?) in the MFA program at the Yale School for Painting and Printmaking in New Haven, Connecticut. I would have expounded with great passion upon my theory of the line, explaining how associating the density and weight of an edge with the masculine or the feminine, as the art world for so long had, contributed to profound and insoluble inequality, reproduced patriarchy, hierarchy, abuse, all across our society, and I would have gone on to say more about how I was heroically, perhaps even singlehandedly (okay, I wouldn’t have said that, but had I been thinking it? maybe), trying to disrupt all this through my original and difficult painting practice, in every work choosing, but then subverting and softening, the hard stroke, the virile mark.

“I did go to Yale,” I said explicitly, as if admitting it to myself. “Yes, I did.”

I’d graduated more than fifteen years ago. After that, I’d moved to New York. It seemed like a lifetime ago, what had I even been up to back then, a little gallery sitting, a museum internship, every other afternoon spent gaping at strangers on the street (the man with a beard the color of copper, a gaggle of teenage girls, loud and certain and ecstatic, dancing outside the Guggenheim, an orange cat riding on ornate cushions in a special wagon), thinking, I’m alive, I’m alive, the sun’s out, how lucky I am, let me die here and now, a testament to this world’s essential virtue, its goodness, until, unable to make it as a painter—of course I hadn’t put it that way to myself at the time, I was just taking a bit of a break, just going to put away some money—I’d come back upstate to Oneonta, my hometown, where eventually, after years of odd jobs and adjunct gigs at the local college, I’d fallen into the executive director position at the small, rural arts organization for which I was presently here at Amber’s house to fundraise, rapidly heading, as Oneonta Arts was, into bankruptcy, despite our popular summer programming for children.

Wait, was I a socialist or just a failure?

I realized suddenly, watching Amber refresh her own glass, the bourbon catching bright as brass in the light, that everything I’d ever wanted, everything I’d ever done, none of it meant anything, none of it mattered.

I didn’t say this. I didn’t say any of this. Instead, I drained my glass and rushed on before Amber could ask another question.

“What about you?”

Amber raised her eyebrows.

“I mean, did you go to university?”

Amber’s laugh came like a hiccup. “Me? Um, well, no. I didn’t.” She didn’t sound embarrassed, just impossibly distant, like someone answering from deep inside a hollow tree.

Okay. Nice. That was interesting, actually.

“Nice,” I said.

Amber’s brow almost shifted.

I plundered on. “Amber, this place is gorgeous.” Honestly, it was and it wasn’t. It was sumptuous, yes, and filled with luxury items, even some antiques, but at the same time, it was generic, like a Pinterest board gone sentient, dimensional. “When did you move back? I feel like I should have seen you around by now.”

Amber must not be on Facebook, it occurred to me with a shock of envy, of awe. Perhaps she’d been here all along, living some mysterious and unphotographed life under our very noses.

Amber blushed. “It’s been almost a year now.”

“Wow!” So she’d set up this entire bourgeois palace in only a few months. Was I jealous? I was kind of jealous. I didn’t want ice spheres or anything. Did I? Yeah, maybe. But really, I wanted to rebuild the front steps on the house on Spruce, paint the stairwell, fence the garden, replace the bathroom faucet, change out the light fixture in the living room, rewire the laundry room, insulate the crawlspace in the attic, and so on and so on, the expense of material subsistence stretching on into eternity. This temporality wouldn’t be familiar to Amber. Money short-circuited time. It was metaphysical, a superpower.

Amber poured a little more whiskey into my tumbler. Although I’d heretofore been intending to make a handful of calls at Oneonta’s scant additional upscale estates today, I did nothing to stop her.

“What brought you back?” I asked.

“Oh, you know,” she said, innocent, defenseless. “Life works in mysterious ways.”

I stared at her. It had been a while since I’d heard somebody say something so cliché out loud. I admired it. And yet, I wished she would be more specific. I didn’t want to have to keep asking questions, urging the conversation along like a nervous little dog at the park. What did Amber do around here all day? I saw her as a living ghost, moving from room to room, dusting her luminous blown-glass orbs, rearranging her cacti, decanting her decanters.

She sat down at last, smoothing a cotton ruffle beneath her. “It was Bobby,” she said in a breathy rush, as if ashamed. “He wanted to come back.”

“Bobby?”

“Bobby Jackson. You remember him. He was a year ahead of us?”

“Of course! How could I forget. Bobby.” Yup, that was the one. Pin-straight blond hair. Loved to argue in public.

“He said his parents needed us,” she went on, “but it was more than that. Oh, Geneva,” she looked aggrieved. “This is his happy place.”

I pretended to laugh, but the words chilled me to the core. Happy place. What did that even mean? Was anyone even still trying to be happy? I’d long ago relinquished my own claim to the project. The right to pursue it was enshrined in the founding documents of this accursed nation, sure, but we Americans were on the whole an unhappy bunch, exceedingly jealous and prone to self-loathing. This was at least in part because our central value—happiness—was in practice quite boring. So was fun, if you managed to have enough of it. No, I had long ago accepted that life was for the most part horrible, so horrible that for centuries people had gotten through it primarily by pretending everything would be much, much better once it was over. I didn’t believe, intellectually speaking, that I deserved anything more, anything special. In fact, it went against my values.

“What about you?” Amber asked. When I looked confused, she helped me. “How’s Jason?”

For a moment, I had no idea what she was talking about. It was as if the force of my curiosity about her life had wiped clean the memory of my own.

“My husband?” I said, stupidly. It was true. I had also married my high school boyfriend. And yet I had allowed myself to feel for a moment superior. “He’s good! Really good. He’s still doing stonework.”

“Oh?”

“Yeah,” I said, unsure what else to add. I mean, come on. Twenty points off for talking about our husbands’ work before our own. “He keeps a heap of stone in our backyard. A lot of snakes live back there. You can see them choking down frogs underneath the porch from time to time.”

Amber sipped viciously from her glass. Her lips, swollen with filler, left a near-invisible imprint on the rim. World’s best tinted lip balm?

“Does he like it?” she asked.

It was hard to fathom the concept of a husband, if you stopped to think about it. In my case, I shared a house with someone whose genitals were basically the opposite of mine and who lived a kind of shadow version of my life. We each saw the other person more often than we saw ourselves. Surely I looked into his face more often than I did into my own, in the mirror? We slept next to each other at night in the same sweaty, semi-conscious miasma, always together, and yet, somehow, unable to ever fully enter into the other’s consciousness.

“Does he like it….” I repeated. Kind of a weird question. “Yes, I guess he does.”

That wasn’t saying much. Jason liked everything. He looked like Jeff Bridges and drove around in an old Buick, but he blared obscure synthwave out of it, not classic rock. He, too, enjoyed rejecting consumer pleasures. We lived a simple life.

“What about you?” I asked. “What do you do?” I was genuinely curious. All I remembered about Bobby was that he’d enjoyed sports in a completely normal, wholesome way. In middle school, he’d had a Mighty Ducks-themed birthday party at Interskate 88. No way he’d accumulated this much capital on his own.

“Me?” Amber, I did not say, you are the only person here. “Oh, you know,” she blushed again. “Bobby’s in real estate.”

Real estate. Yikes. I was wrong so often, you’d think I’d start taking that into account. I guess that made sense, about Bobby. He’d had a disarming way about him, a specious authenticity. His eyes, if I remembered correctly, were huge and blue, disturbingly so.

“Commercial?” I asked.

Amber got up again. She seemed nervous.

“Enough about us,” she said. Perhaps she communicated only in the most outlandish clichés. What did that mean as a style? As a form? (Clearly, I was still more insufferable than I liked to admit.) But actually, Amber hadn’t said anything about herself, not really. She hadn’t said anything at all.

“What about you?” Amber asked, turning my own words against me once more. “Are you still working?”

Working.

Painting, she meant. Why was she so interested in my practice? I didn’t even describe myself as an artist on social media anymore. And how did she know I’d gone to Yale? I didn’t post about that, either.

Was. I. Working. No, I wasn’t. Or, if I was, it didn’t count. Every other month, I’d stay up all night in the shed out back trying to render something obscure, the shape of anger, Jason’s eyelash, an unusual texture I’d encountered in the wake at the Jersey shore twenty years ago. But no, it wasn’t like it used to be. In art school, I’d paint fanatically, manic, going without food or drink for days, taking breaks only to go to the museum and look at the great works, which I’d sometimes do several times in any given daylight period, as if I needed to pause for an infusion every few hours, lest I bleed out. Now, my infusions came instead, and more frequently, from Instagram, which showed me images of some boots I wanted, but couldn’t afford, of someone else’s kid’s first day of school, of a Yale classmate’s solo gallery show in Soho, of babies starving overseas in war, their skin so pale and fine and translucent, their diapers outsized, an uncanny white.

“I’m Executive Director at Oneonta Arts,” I told her, deliberately obtuse. “In fact, that’s why I’m here.” I was worldly enough to look sheepish. “We’re trying to close out our summer fundraising campaign to support our children’s programming, and we’re a bit behind.”

Amber brightened visibly. “Oh, your organization is fundraising? Why didn’t you say so!”

She moved across the room to an antique vanity and removed what looked like a leatherbound checkbook from the top drawer. She really did know how nonprofits operated.

“Do you want to hear about our strategic goals?”

“Of course!” Amber was already writing out the check. “Who should I make this out to?”

“Um, Oneonta Arts is fine.” I was taken aback. “We work to bring arts programming to all ages in our community. Most importantly, I think, we run a summer camp for elementary-aged children and teens, which we’re hoping to be able to subsidize next year for families with need. We also manage a modest gallery space downtown.”

“Oh, the Mansion?” Amber gushed. “That’s you?”

“Yes, that’s us. Used to be the Teen Center? Back in the day? Not that anyone ever went, I don’t think.”

“Yes, right…” Amber inserted a gold-plated pen between her lips. “It’s a gallery space now.” Her face had been made to look like all the other faces, puffy in the cheeks, demure chin. Was she thinking? Why was she thinking?

“Yes,” I said, trying not to sound confused. “We try to host a handful of regional and solo exhibitions each year.”

“Juried?”

I looked at Amber, surprised she knew what that meant. “Well, yes.”

Amber handed over the check with a little flourish. “Geneva.” She was looking directly into my eyes. I wanted very badly to glance down at the check, to clock the amount, but I willed myself to hold her gaze. “Thank you so much for coming by.”

I was confused. Was this the end of our time together? A true protestant, I worried for a moment that I hadn’t worked hard enough for this donation, however much she’d actually donated. And on top of that, I’d felt until now that we were in the middle of something, if not a reunion, perhaps a renewal.

Amber rose expectantly, and I did the same. She put both her hands on my arms and squeezed. The gesture was tender, but perplexing. She was treating me like a teacher would a former student who had returned to give thanks.

This was why rich people hated paying taxes. They wouldn’t be able to lord it over you, not in the same way.

She led me back down the corridor to the front of the house. The walls were adorned with what looked to me like an eighteenth-century Walpole damask. Instinctively, I ran a hand along it as we made our way out. This wasn’t wallpaper, I realized, nor textile. Someone had hand-painted up and down the entire hallway this intricate, fertile pattern, which looked, I’d always thought, like flowers at the dawn of life giving birth to themselves. I stopped to stare at it. The work was perfectly done, meticulous. I felt a swell of panic close the back of my throat.

“Is this hand-painted?” I asked, although I knew that it was. I sounded a little hysterical.

Amber stopped, but she didn’t turn around. I could hear her breathing, deep and hard. Her shoulders quivered.

“Amber?”

When her voice came, it was low and mean, a little feral. “Here,” she said, her fingers closing around my wrist. “I need to show you something.”

Before I could answer, question, protest, she was pulling me, hard, toward a short door under the staircase. A slew of horrors flashed across my mind’s eye, first, medieval—the dungeon, the rack, the thumbscrew—and then, modern—Mormon mommy vloggers, narcissists, Dexter. If I disappeared, how long would it take Jason to start looking for me? Had I even mentioned to him what I was doing today? If I died, my Google history would reveal nothing about my final hours, wouldn’t help anyone find me. I’d most recently searched “panda bear” for no reason. I just wanted to see a picture of one.

Goodbye, cruel world.

No. Stop it. Surely this was something more banal. There had been something off about Amber the entire time. She’d written me a check, true, but I’d gotten the feeling almost right away that she wanted something from me. What could I, a washed-up pseudo-artist begging for tax-deductible donations, offer her, this woman who had already secured everything a person of her age, gender, and income bracket could possibly want?

Amber pulled open the unnatural little door and tugged me forward. I closed my eyes and ducked. She was leading me down, down, down, deep into the basement. The staircase was dark as pitch. A potent smell built—coriander, soil, rose.

My life had been good. My parents loved me, always had. I’d won a drawing contest in the second grade, and they’d taken me down to Parsons, in New York, to display my work. Jason loved me. He made me toast on the weekend. In the night, he pulled me to him and inhaled passionately against my neck. And I loved the children who came each July to dip their hands in paint, to press them to any available surface—newspaper, parchment, cotton.

We passed through corridors, tones. A darkness. Texture of wood, salt scented. It was ripe down here, then dry. The air seemed to change in quality as we moved through it. I was too frightened to reach out a hand. Once, I tripped, and the wall I brushed felt at once slick and furry.

Amber’s breathing guided our footfalls, in, out, in, out. My hand went numb. I didn’t know if she was still gripping it. By then, I was just moving, moving. I couldn’t stop. I wouldn’t.

Then, at last, everything changed, brightened.

A soft edge. Hard.

Were we underground? Outside?

The canvases were huge, oppressive. Were they canvases? They were layered with paint so thick, it had become its own surface, roiling and hot, unctuous, demented. Across this surface, within it, were lodged shapes and outlines, objects, coins, brochures, parts of dolls, cereal pieces, unpaired earrings, entire newspaper articles, cheap gems, Lego people, shells, bits of woven palm, sage leaves, chains, leather fringe, pens, dried pressed petals (daisy, iris, orchid?), wood shavings, a receipt, several phone cases and charging cords, burnt matches, playing cards, glass shards arranged into an obelisk, a pattern, sticks, bark, an army’s worth of press-on nails (and you had to imagine it, an army with press-on nails), tiny forks and spoons, pebbles, a single Apple Airpod, shoelaces, scarf shreds, the center tendrils of leaves, miniature fruits made of clay, crystal baubles, barrettes, and more, more, more, so much more that you could stand forever, looking and naming and naming and looking and seeing and forgetting and wanting and hating.

When at first you looked, you saw nothing, you saw everything, and then, as your eye roved, shifted, tried to escape and then, failing that, to fix on something, you began to search for a position, a vantage, an angle from which you could order it all, make something out. Because that was the thing about this work—it simultaneously promised to be something, to show you something, if you could just look at it right—full on? askance?—and refused to show you anything, insisting on its own indecipherability, its own meaninglessness. The work was an achievement, you’d be lucky to accomplish this in a lifetime, it reminded me of Duchamps, of Kurt Schwitters, but there was something new about it, too, something transcendent, maybe it was the color scheme, which, honestly, I remembered from sophomore year, the pinks oranges yellows, blue of sky, blue of cloud, and yet the palate had matured, intensified, was it just the edge of gray she’d worked in, and then, there was the sheer scale of the project, the textures, this work was big enough to build an alternate dimension, to invite, no, to drive you inside.

I looked at Amber. My mouth, I couldn’t close it. My eyes were wild now, big, my chest caving in on itself, the pressure crushing my organs to meal.

“Holy shit,” I said, not to her, exactly. But for her. Yes. For Amber. That’s what I was here for. That’s what she’d wanted from me.

She came to me then. She brought me to her. She hugged me.

I was crying. Yes. I was actually crying. I pulled away and forced myself to look at her. There, in the center of her eye, I saw it—the softest, hardest edge, the hot, black center of the universe.

Mid-Afternoon Monday

we talk of alcohol
taking classes at our age
our kids as toddlers
collecting too many things
you’re seated on the table
without students for a day
just us for awhile
until other grownups want to share getaways
their winter high points
I would prefer to leave my blue chair
arrive to your table
in a rare silence
my hand to your cheek
inform that I’m here
without a word
you grasp my hand
peer as I stand closer to you
without surprise
across pull-down maps and hum of the heater
sun descending on other side of the park
leave the door closed
we can wish for each other



Kelp Longings

            “a kelp forest is one of the undersea wonders 
of the world….We will try to explain the secret
of this sea kelp.” – Se-Kwon Kim


Avert your eyes from kelp mounds, stretched across
the beach like walruses from other worlds,
deceased but hungry for attention. Up close,
their meaty lattices, unkempt, intestinal,

deep breathe with flies. Their tentacles now lax,
bear swollen bulbs to float them vertical.
Experts refuse to label them as plants –
no vasculars, stomata, chlorophyll.

But kelp has tired of living rootless, vain
extending for the sun, the boring sway
of tides, and soon they lose it, snap and strain
to shore, creeping boneless from the waves.

They long to green and harden, make canopies,
put down legs, and join our life of gravity.




Bare Bones

I’m making the end of the line explicit /
see it tilting toward the right—forward /

to the breech—then return to another /
origin, another chance to begin, blank /

where no slash is necessary even /
a \ to mark an opposite to the drop off /

a redundancy among what some may /
claim are already redundancies though /

in this piece, I consider them not /
—instead the implicit unfolded, signaling /

I am aware of the finite line, which two or three /
a scholar might quite distinguish with a /, not that I’m /

an inveterate obscurantist or ornery cuss /
just making it clear, willing to discuss /







The Sack of Rome

Day spot free warm wind 
soft sway supple trees so -
wood mellow burn smell
gentle breeze crisp
cool and fragrant streams.

Amble dapple shadow stone
smooth worn feet -
tall grass green fan
luxurious under bough
bower pale place to hide.

All heat waft humid
rain handsome high hill -
ajar wood ahead door swing
men rush aghast all
dull swords swung high.

The ground seems to rumble.
A jar breaks.

White statue amid small
ripple man wades the deep -
bent tree cypress blow
up rise vacant shadow figure
mumble behind locked doors.

Sunshine inside frail echo feet
patter marble hall call -
fire burn cauldron incense
smolder rubble rock wall
peer a lone man out.

While fan gentle breeze
rain mist faces so moist -
rich smell fire roast
crisp string so sweetly so sing
hoof beats roughly rumble.

A jar breaks.

Rhythm cross sweet
bridge sacred cow cry -
white dress woman vanish
shadow noon haunt fountain
children play all alone.

A door slams. A yell.

Still scent sand remain no
song hover bygone breeze -
nap dream rich wine red
night share fire rage
through sweet gentle field.

A jar breaks. A rush.