The Sensibilities of the Smallest Nesting Doll

                                                                      I was a child

                                                              of cool-patterned skin

                                                           Nesting doll in winter attic

                                                             Layers of paper-mache

                                                               In a frosted cocoon.

                                                         I gazed at lightning windows

                                                   While the others wept at darkness

                                              My mouth was kissed by thunder rumbles

                                          As my unshaken palms soothed trembling walls. 

                                     I knew the transience of playgrounds, fast friendships

                                    That only spanned sandboxes, ending with setting sun.

                                    I saw fate as fact in action: three dogs, then eldest left.

                                      Mortal math, quick tears melted into matter-of-fact.

                                          Dense glue decayed under hurried paint when

                                            Spring discovered gold in the sun. Paper

                                                   Cracked hairline fractures until I

                                                     Burst out and began to bloom.

County 19

I twist in my seat beside the woman who picked me up 

on County 19, reaching back to help her son 

eat his Happy Meal. I fly a french fry through the air,

thinking how weird it is to hitch a ride on the road 

I’ve driven so many times with my dad––

the route between our house and the old folks home 

where Grandma lasted alone for fourteen years. 

Each time we visited: the veins wider, bluer, 

the ankles thinner, the distances between bedsores 

diminished, the cheer my dad convinced himself to feel 

as he repeated the litany: I am your son. 

This is your grandson. We’re so happy to see you.

The woman asks me where I’m going 

and I say as far as you can take me,

but as we pass the old folks home I tell her to pull over. 

The boy is finished with his Happy Meal and now 

he points at the bruise on his elbow and says Ouch.

His mom nods at him in the rearview as I get out. 

That’s right, she says. Ouch. There is the low roofline,

the sign with a bible quote in changeable letters,

my grandma’s old window as blank as it was 

when she lived here, some earth dug up 

in the bordering cornfield for construction 

of a new wing. I think about barging through the doors 

and demanding to see Elizabeth Wee, making 

some kind of scene. I think about setting up camp 

in the hole in the cornfield and refusing to leave. 

But instead I wander the grounds for awhile. 

I lie in the parking lot’s grass island and watch 

the cornstalks feather the road with lank shadows, 

the sunlight dipping down into the tassels. 

I want speed. I want new people. To ditch 

this slow sanitary drain of golden light, 

my pastor parents and their immovable faith, 

this town’s brown river exhausting its banks. 

Elizabeth is underground. So is my cousin. 

Stones like polished teeth in the family plot. 

In the twilight I walk back to the shoulder 

and catch a ride from a farmer hauling a trailer 

stacked with hay bales three-high. When he asks me 

where I’m going I say as far as you can take me.



Reprinted from The Low Passions by Anders Carlson-Wee. Copyright (c) 2019 by Anders Carlson-Wee. Used with permission of the publisher, W.W. Norton & Company, Inc. All rights reserved. 

Still Life

But what night isn’t like this?

I’ve always been since earliest version of life

Silent

Like the dinner table


Carrying tedious things

On my head—

When there are people talking over

And when the voices vanish,


Life comes out of my mouth

Holding a spatula

… it looks just like me

If only I knew how to cook.


I’ve experienced imaginations of the

End of the world.

So I’ve never been happy.

But I’ve been content in small spaces-


Queues, linen back seat of a Hyundai

That tiny store. North face.

A girl’s heart.


Each day I enter life at the same moment:

You alone in your room at midnight

Are in your nighties beautiful

As how people stop to watch the moon together


The night is…what again?


Listen: the slow parade of wind, the fan

And the refrigerator, humming.

The mouse in your cupboard

I have always sounded like this.

Emergence

In the days when Pittsburgh was covered 

by clouds of smog, cold-faced walkers 

navigated city blocks only by 

the neon lights of storefronts. 

MAX’S, JAMES ST, WHOLLY’S.


A time when the city was known

only by shoe to sidewalk,

for the upper floors of buildings 

were lost to the heavens. 

Like ants crossing a large field, 

the only way home, to recount 

each and every step. 


I wonder what it was like 

when the smog finally cleared? 

I think about families who lived 

in cramped row homes, tacted to 

steep-sloped hillsides, like patches of glitter 

barely hanging on to a 3rd grader’s school collage. 


I imagine that first spring morning 

and the mother climbing up to the 3rd floor 

to clean the modest back windows. 

A common task that would leave her white cloth 

black with soot, from distant smokestacks

settling over months of invisible rain. 


Yet, on this day, as she finishes, 

she would for the first time gaze out 

to see the entire city, presenting itself

like the blooming of white trilliums.


Steel and glass skyscrapers glistening gold 

from sunlight streams, standing tall and silent, 

garnering reverence simply by their size and stillness. 

And the blue river waters exhaling 

a long-held sigh.

Gathering Firewood on Tinpan

I bundle them against my chest, not sure 

if they’re dry enough. Gauging how long 

they’ll keep me warm by the thickness. 

I step around carefully, looking for 

the deadest, searching the low places 

for something small and old that will catch. 

I pick up the dander loosened 

as my father folds his hands, lowers his head. 

The rolling thunder on the surface of a nail. 

I pick up the cross that seesaws his chest 

with each step. The day I lost my faith. 

The night my dog ran away and came back sick. 

The battery-pump of her final breath. 

Still wondering if she left alone, 

or if my father walked her out of this world. 

Still wondering what he used for a leash. 

I go further into the trees and find 

more fuel. My friends faded on oxy 

and percocet. My cousin Josh 

buried young in the floodplain.

My brother and the ways I burden him. 

Living it over and over each night. 

My father walking into every dream. 

My fire not bright enough to reveal anything. 

Not even his face. Not even the leash.



Reprinted from The Low Passions by Anders Carlson-Wee. Copyright (c) 2019 by Anders Carlson-Wee. Used with permission of the publisher, W.W. Norton & Company, Inc. All rights reserved. 

Sputnik V

V is for vaccine:

the primal adversary against

a viral pathogen, ubiquitous and yet sparingly lethal,

heretofore unseen and yet hauntingly familiar.


Or is V for vector?

A vehicle, designed specifically to thrust

viral mRNA upon the human genome;

a vicarious introduction intended to blunt infectivity.


Or is V for victory, as Sputnik is for victory?

A vanquishing, simultaneously thwarting coronal encroachment

and the superiority complex of the West;

a political venture, a recasting of races for armament and space.


Or is V for vainglorious?

A virginal attempt, devoid of proper data?

An avaricious impropriety, shipping uncertainty across

taciturn borders into countries and continents of desperation.


V can be used to victimize or verify.

It can validate unsafe medical practices, encouraging replication,

or can be seen as a nadir of villainy, a confirmation of fraud and ineptitude.

Only time and the virus have the voices to tell.

NOVUS Literary and Arts Journal
Lebanon, TN